{"id":5435,"date":"2017-05-06T16:22:03","date_gmt":"2017-05-06T16:22:03","guid":{"rendered":"https:\/\/arquivo.osso.pt\/projects\/da-nova-arte-de-fazer-ruinas\/equipa\/"},"modified":"2017-05-31T16:11:58","modified_gmt":"2017-05-31T16:11:58","slug":"equipa","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/projects\/da-nova-arte-de-fazer-ruinas\/equipa\/","title":{"rendered":"TEAM"},"content":{"rendered":"

Artistic director\/choreography<\/h4>\n
Beatriz Cantinho<\/div>
\n

Post-doc at CIAC- UALG and at ARTEA program, Performance Arts Practice and Visual Culture program, Castilla-La-Mancha University\/Reina Sophia Museum, Madrid. PhD in Dance and Philosophy at Edinburgh College of Art, Edinburgh University. Visiting Scholar at N.Y.U\/TISCH (2010\/2011), performance and cinema departments. Internship in Noh Theatre at Kyoto Art Centre (JP) and at Royal de Luxe theatre company (FR). Developing professional work as a choreographer since 1997 (Parde2, Scch\u2026um ensaio sobre o sil\u00eancio, Pe\u00e7a Veloz Corpo Vol\u00e1til, Singularity, Untitled#2, Eye Height). In the recent years her work has been mostly developed in collaboration with other artists and researchers, where movement plays a fundamental role within interdisciplinary composition between the visual arts, performance, sound, cinema and Digital Arts . (C. Spencer Yeah, Ricardo Jacinto, Vangelis Lymporidis, Shiori Usui, HerwigTurk, Val\u00e9rio Rom\u00e3o, Mariza Dima). Her individual and collective creations and research have been presented in Portugal (CCB, MNAC, Funda\u00e7\u00e3o Calouste Gulbenkian), and (FR: Guillotine gallery; U.K: SARC, DanceBase, Blue Elephante Theatre, Surrey and Cambridge Universities; DE: Festival Transmedial 07, TESLA; AU: MAK, UNIKUM, DE: Rosa Luxemburg Foundation, TR: Bilgi University).<\/p>\n<\/div>\n<\/div><\/div>\n\n

Music Composition<\/h4>\n
Diogo Alvim | electronic music<\/div>
\n

Studied architecture and composition in Lisbon, and has finished a PhD in Composition\/ Sonic Arts at SARC, Queen’s University Belfast, on the relations between music and architecture. He has been presenting his work (both electronic and instrumental) in several events, of which: Gulbenkian Orchestra\u2019s composers\u2019 workshop (2008 and 2009), Festival M\u00fasica Portuguesa Hoje 2008 (Orchestrutopica); Festival Synth\u00e8se 2009 (Bourges); Young Musicians Award 2009 (commission by the Portuguese National Radio); ISMIR Conference 2012 in Porto; ICMC2012 (Ljubljana); Festival Musica Viva, (Lisbon, 2013); Notation in Contemporary Music – Goldsmiths University (London, 2013), Ibrasotope#60 (S\u00e3o Paulo, Brazil); Sounding Cities – Invisible Places (Viseu, 2014), Belfast Festival (2014) and Sonorities Festival (2015). He has been writing for dance and theatre and developing collaborations with other artists\/performers such as Ricardo Jacinto, In\u00eas Botelho, Matilde Meireles and T\u00e2nia Carvalho.\n<\/p>\n<\/div>\n<\/div><\/div>\n\n

Ricardo Jacinto | cello+electronic<\/div>
\n

Lives and works in Lisbon and Belfast. Currently pursuing a PHD at the Sonic Arts Research Center \/ Belfast. Presented is installation work in several contemporary art venues in Portugal and across Europe: CCB_Lisbon , C\u00edrculo de Belas Artes em Madrid, MUDAM_Luxemburgo , Centro Cultural Gulbenkian_Paris , Manifesta 08_Italy, Loraine Frac- Metz, OK CENTRE_Linz_Austria , CHIADO 8_Culturgest_Lisbon, Casa da M\u00fasica \/ Porto e Venice Architecture Biennale \/ 2006. As a cellist has worked in several formations and with different musicans: Nuno Torres, Rodrigo Pinheiro, David Maranha , Hernani Faustino , Ernesto Rodrigues , Luis Lopes, C Spencer Yeh , Shiori Usui , Manuel Mota , Pedro Rebelo , Franziska Schroeder , Jean Luc-Guionnet, PinkDraft , Cacto , Phonopticon , among others. Has played in different venues in Portugal and abroad: Ausland \/ Berlin, Funda\u00e7\u00e3o de Serralves \/ Porto, Palais Tokyo \/ Paris, Festival VERBO \/ S\u00e3o Paulo , Festival Temps d\u2019 Images_Lisbon , Festival Rescaldo_Lisbon , Festival BigBang_CCB_Lisbon , Culturgest_Porto e Lisboa , ZDB \/ Lisboa, Dance Base_Edimbrugh, Kabinett 0047_Oslo , Funda\u00e7\u00e3o Calouste Gulbenkian \/ Paris, among others.<\/p>\n<\/div>\n<\/div><\/div>\n\n

Dancers<\/h4>\n
Filipe Pereira<\/div>
\n

Filipe Pereira is a graduate of Escola Superior de Dan\u00e7a (Lisbon). In 2012 completed the Choreographic Creation, Dance Research and Training Programme at Forum Dan\u00e7a, where he trained with Meg Stuart, Francisco Camacho, Lo\u00efc Touz\u00e9, Jennifer Lacey, Madalena Victorino, Jeremy Nelson, Jo\u00e3o Fiadeiro, Miguel Pereira, Vera Mantero, K. J. Holmes, Mark Tompkins, Patr\u00edcia Portela, among others. In this programme he created the solo \u00e9 Grande mas fica- te bem and I\u2019m a bush in the middle of the forest, in collaboration with Aleksandra Osowicz.Performance credits include In a manner of speaking by Dinis Machado, Projecto continuado (2015) by Jo\u00e3o dos Santos Martins, O mesmo mas ligeiramente diferente and Fora de qualquer presente by Sofia Dias & V\u00edtor Roriz, Rien n\u00b4est \u00e9tabli by Martinez Pisani, Liars by In\u00eas Jacques, Planes and Floor of the Forest by Trisha Brown Dance Company, Ring by F\u00e9lix Ruckert, Matrioska by Tiago Guedes and Icosahedron by T\u00e2nia Carvalho. In 2012 he created HALE-study for an artificial organism, in collaboration with Aleksandra Osowicz, Helena Ram\u00edrez, In\u00eas Campos and Matthieu Ehrlacher. In 2013 he created O que fica do que passa in collaboration with Teresa Silva.<\/p>\n<\/div>\n<\/div><\/div>\n\n

J\u00e1come Silva<\/div>
\n

J\u00e1come Filipe Morais Silva started ballet practice with the teachers Norma Kronner, Isabel Coelho, Mark DeGraef and modern dance practice with the teacher Isabel de Sousa. Studied dance in Escola Superior de Dan\u00e7a, where also completed the first year of a dance teaching metodologies masters. Currently finishing a masters on Stage Arts in Faculdade de Ci\u00eancias Sociais e Humanas (FCSH) in Lisbon. As a professional dancer worked with Diniz Sanchez, Jiska Morghenthal, Francisco Pedro, Beatriz Cantinho, Ricardo Jacinto, Companhia Inst\u00e1vel (Jamie Watton e Bruno Listopad), Pedro Carvalho, Companhia Dan\u00e7\u2019Arte, Ballet Gulbenkian, Ballet Actuel, Bruno Listopad, Companhia de Dan\u00e7a de Set\u00fabal, Jasmine Morand and Arina Johansen, Connie Jansen Danst, Companhia Rui Lopes Gra\u00e7a, T\u00e2nia Carvalho, Sofia Neuparth, Jos\u00e9 Laginha, Sofia Silva, Am\u00e1lgama Companhia de Dan\u00e7a, Companhia Olga Roriz, Sylvia Reijmer, Aldara Bizarro, Marlene Freitas, Rafaela Salvador, Luis Guerra, Companhia Paulo Ribeiro and Filipa Francisco. Teached in Centro Em Movimento, Portuguese National Conservatory, F\u00f3rum Dan\u00e7a, Quorum Ballet Academy, Espa\u00e7o do Tempo, Companhia Olga Roriz, among others. Currently teaching in Escola Superior de Dan\u00e7a.\n<\/p>\n<\/div>\n<\/div><\/div>\n\n

Marta Cerqueira<\/div>
\n

Professional dancer since 2001. She dedicate herself to research and conception of several artistic creation projects, particularly in the performing arts (dance and theater) and also through installation works, video and cinema. Graduated by the Dance School of the National Conservatory of Lisbon, she continued her dance studies in New York, Berlin and Lisbon where she completed the Gulbenkian Choreography Course PGCCA. She has worked for a number of different companies and independent choreographers touring in Portugal, Spain, Switzerland, Netherlands, Poland, France, Germany, Greece, Lebanon, Sweden, Norway, Finland, Scotland, Canada, Argentina and Brazil, often in the context of international festivals. Currently active as dancer and coregrapher, recently created the kinetic and sound sculpture VENTO in partnership with the musician Sim\u00e3o Costa and the piece MUTE \/ silent choreography that (i) (e) nforms the sound, presented in the context of the Festival DDD Out 2017 in the city of Porto.<\/p>\n<\/div>\n<\/div><\/div>\n\n

Sound Design<\/h4>\n
Suse Ribeiro<\/div>
\n

Colaborou nos \u00faltimos anos com institui\u00e7\u00f5es nacionais e internacionais: Casa da M\u00fasica, Serralves, Rivoli, Coliseu do Porto, Teatro do Campo Alegre, Coliseu dos Recreios, CCB, Athens Concert Hall, Centre Pompidou, IRCAM. Colaborou com estruturas art\u00edsticas: Companhia Olga Roriz, O Bando, Circulo Portuense de O\u00b4pera, Sintra Est\u00fadio de O\u00b4pera, As Boas Raparigas.T\u00e9cnica de live sound com artistas como: Dulce Pontes, Tito Paris, Os Corvos, Carminho, Ant\u00f3nio Zambujo, Mandragora, Oquestrada, Trama. Tem vindo a trabalhar em projetos de espacializa\u00e7\u00e3o sonora e interatividade musical. T\u00e9cnica de grava\u00e7\u00e3o em v\u00e1rias orquestras ao longo dos \u00faltimos anos, trabalhando com maestros e compositores de reconhecido m\u00e9rito internacional. Sonoplastia para Cinema e Teatro com profissionais de reconhecido m\u00e9rito internacional na \u00e1rea do \u00e1udio e multim\u00e9dia. Na \u00e1rea do broadcast colaborou com a RTP em concertos e grava\u00e7\u00f5es com Orquestras Sinf\u00f3nicas. Foi Diretora T\u00e9cnica da Orquestra Ligeira do Ex\u00e9rcito (2010-2012). Concluiu o Curso livre de Orquestra\u00e7\u00e3o da Esmae. Estudou Percuss\u00e3o na Escola Superior de M\u00fasica de Lisboa. \u00c9 Mestre em Multim\u00e9dia (M\u00fasica Interactiva e Design de Som) pela FEUP, licenciou-se na ESMAE em Produ\u00e7\u00e3o e Tecnologias da M\u00fasica. \u00c9 docente no Ensino Superior desde 2007 e diretora do Festival de Cinema EFF. Tem desenvolvido trabalho na \u00e1rea da difus\u00e3o multicanal, recorrendo \u00e0 programa\u00e7\u00e3o eletr\u00f3nica e \u00e0 t\u00e9cnica ambisonics.<\/p>\n<\/div>\n<\/div><\/div>\n\n","protected":false},"excerpt":{"rendered":"

Artistic director\/choreography Music Composition Dancers Sound Design<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5429,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5435","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/5435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=5435"}],"version-history":[{"count":19,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/5435\/revisions"}],"predecessor-version":[{"id":5513,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/5435\/revisions\/5513"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/5429"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=5435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}