{"id":3176,"date":"2014-03-26T13:41:51","date_gmt":"2014-03-26T13:41:51","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=3176"},"modified":"2022-01-27T11:08:44","modified_gmt":"2022-01-27T11:08:44","slug":"cacto","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/projects\/cacto\/","title":{"rendered":"CACTO"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin-left: auto; margin-right: auto; margin-top: 25px; margin-bottom: 50px;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS6a0210c7b7589\" class=\"master-slider-parent msl ms-parent-id-94\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS6a0210c7b7589\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2021\/09\/IMG_6610.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2022\/01\/4_cacto_eira_pb.jpeg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_7589 = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_7589.control('arrows'     ,{ autohide:true, overVideo:true  });\t\t\t\tmasterslider_7589.control('bullets'    ,{ autohide:false, overVideo:true, dir:'h', align:'bottom' , margin:20  });\n\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_7589.setup(\"MS6a0210c7b7589\", {\n\t\t\t\t\t\twidth           : 770,\n\t\t\t\t\t\theight          : 513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_7589 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n\n<p><strong>CACTO<\/strong> is a project that seeks site-specific methods of music creation with a focus on its atmospheric dimension. Combining the domains of electroacoustic and electronics with field recordings, the trio presents a sound world which combines an attentive listening with minimal and spectral music strategies, while testing the boundaries between free improvisation and composition.<\/p>\n<p><strong>Ricardo Jacinto<\/strong>: cello and electronics<br \/>\n<strong>Nuno Torres<\/strong>: alto saxophone and electronics<br \/>\n<strong>Nuno Mor\u00e3o<\/strong>: percussion and field recordings<\/p>\n<hr \/>\n<p><strong>Presentations <\/strong><br \/>\nnew formation: SMUP (Parede, April 2022), MIA 2021 (Atouguia da Baleia, June 2021) and Dia Aberto#1 (OSSO, 2019)<\/p>\n<p>first formation: Convento S\u00e3o Francisco with Pedro Tropa, (Coimbra 2019); Zaratan (2018;2016); Bar Irreal (2014); Carpe Diem Arte e Pesquisa (2012); Atelier Concorde (2012); Casa dos dias da \u00c1gua (2011)<\/p>\n<hr \/>\n<p><strong>Concert at Festival MIA 2021 (Atouguia da Baleia, June 2021)<\/strong><br \/>\n<div class=\"su-audio\" data-id=\"su_audio_player_6a0210c7b78d4\" data-audio=\"https:\/\/cloud.osso.pt\/index.php\/s\/H6qinqmiDP9iAQ8\/download\/CACTO%20@%20MIA%202021%20%5Bexcerto%5D.wav\" data-swf=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/shortcodes-ultimate\/vendor\/jplayer\/jplayer.swf\" data-autoplay=\"no\" data-loop=\"no\" style=\"\"><div id=\"su_audio_player_6a0210c7b78d4\" class=\"jp-jplayer\"><\/div><div id=\"su_audio_player_6a0210c7b78d4_container\" class=\"jp-audio\"><div class=\"jp-type-single\"><div class=\"jp-gui jp-interface\"><div class=\"jp-controls\"><span class=\"jp-play\"><\/span><span class=\"jp-pause\"><\/span><span class=\"jp-stop\"><\/span><span class=\"jp-mute\"><\/span><span class=\"jp-unmute\"><\/span><span class=\"jp-volume-max\"><\/span><\/div><div class=\"jp-progress\"><div class=\"jp-seek-bar\"><div class=\"jp-play-bar\"><\/div><\/div><\/div><div class=\"jp-volume-bar\"><div class=\"jp-volume-bar-value\"><\/div><\/div><div class=\"jp-current-time\"><\/div><div class=\"jp-duration\"><\/div><\/div><div class=\"jp-title\"><\/div><\/div><\/div><\/div>\n<p><strong>CACTO | CACTO<\/strong><br \/>\nVera Cort\u00eas Art Agency, 2009<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3049465975\/size=large\/bgcol=333333\/linkcol=0f91ff\/artwork=none\/transparent=true\/\" seamless><a href=\"https:\/\/cacto.bandcamp.com\/album\/cacto\">CACTO by CACTO<\/a><\/iframe><\/p>\n<hr>\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">VIDEOS<\/div><div class=\"wpb_toggle_content\">\n<p><strong>Carpe Diem Arte e Pesquisa (2012)<\/strong><br \/>\n<iframe loading=\"lazy\" title=\"Concerto Cacto de Ricardo Jacinto com Nuno Torres\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/96Sldvtzsyo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/0\"><div class=\"wpb_toggle\">\u00c1LBUNS<\/div><div class=\"wpb_toggle_content\">\n<p><strong>CACTO #1 \/ Recorded at the Anechoic chamber of the IST Lisbon, 2009<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"margin-bottom: 0px;\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2014\/03\/CAMARAANECOICA.jpg\" alt=\"luis_antero\" width=\"200\" height=\"200\" \/><\/p>\n<p>Edited by Vera Cort\u00eas Art Agency<\/p>\n<p>Vinil Cover designed by Matilde Meireles with inserts by Gwendolyn Van der Velden (Drawing) and Daniel Malh\u00e3o (Poster).<\/p>\n<p><strong>Vinil available at:<\/strong><br \/>\n<a href=\"http:\/\/www.veracortes.com\/\" target=\"_blank\" rel=\"noopener\"><u>Vera Cort\u00eas Ag\u00eancia de Arte<\/u><\/a><\/p>\n<p><strong>Digital album at:<\/strong><br \/>\n<a href=\"https:\/\/cacto.bandcamp.com\/releases\" target=\"_blank\" rel=\"noopener\"><u>Bandcamp<\/u><\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/0\"><div class=\"wpb_toggle\">PRESS<\/div><div class=\"wpb_toggle_content\">\n<p><a href=\"https:\/\/jazz.pt\/report\/2021\/06\/25\/boas-noticias-oeste\/\" target=\"_blank\" rel=\"noopener noreferrer\"><u>JAZZ.PT<\/u><\/a><br \/>\npor Rui Eduardo Paes<br \/>\n<strong>25.06.2021<\/strong><\/p>\n<p>(&#8230;)<\/p>\n<p>A tarde abriu com a presta\u00e7\u00e3o de um agrupamento proposto pelo colectivo Osso, parceiro da Zpoluras, a associa\u00e7\u00e3o de Paulo Chagas e Fernando Sim\u00f5es que dirige o festival. Ricardo Jacinto (violoncelo, electr\u00f3nica), Nuno Torres (saxofone alto, electr\u00f3nica) e Nuno Mor\u00e3o (percuss\u00e3o, electr\u00f3nica) apresentaram uma pe\u00e7a electroac\u00fastica de desenvolvimento lento e arquitectura minimalista. Havia, claramente, composi\u00e7\u00e3o e havia improvisa\u00e7\u00e3o, mas o interessante foi constatar a impossibilidade de determinar onde terminava uma para dar lugar \u00e0 outra, t\u00e3o articuladas estavam as duas dimens\u00f5es. O car\u00e1cter hipn\u00f3tico da m\u00fasica conduzia-nos para outras paragens, das \u00e9tnicas (o gnawa de Marrocos) \u00e0s da \u201cnova simplicidade\u201d norte-americana, mas de uma forma bastante singular.<\/p>\n<p>(&#8230;)<\/p>\n<\/div>\n<\/div><\/div>\n\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CACTO is a project that seeks site-specific methods of music creation with a focus on its atmospheric dimension. Combining the domains of electroacoustic and electronics with field recordings, the trio presents a sound world which combines an attentive listening with minimal and spectral music strategies, while testing the boundaries between free improvisation and composition. Ricardo Jacinto: cello and electronics Nuno [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1617,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3176","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/3176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=3176"}],"version-history":[{"count":14,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/3176\/revisions"}],"predecessor-version":[{"id":16511,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/3176\/revisions\/16511"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/1617"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=3176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}