{"id":24572,"date":"2024-11-15T10:50:05","date_gmt":"2024-11-15T10:50:05","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=24572"},"modified":"2026-06-11T11:43:32","modified_gmt":"2026-06-11T11:43:32","slug":"eira-15","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/eira\/eira-15\/","title":{"rendered":"EIRA #15"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 40px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS6a3324b8b5331\" class=\"master-slider-parent msl ms-parent-id-203\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS6a3324b8b5331\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" 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513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_5331 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p class=\"p1\">The fifteenth edition of <b>EIRA<\/b> took place from <b>20 to 27 July 2024<\/b>, bringing together artists, researchers and sound practitioners through a programme of radio broadcasts, artistic residencies, conversations, performances and concerts.<\/p>\n<p class=\"p1\">This edition featured the participation of <b>Diogo Tudela<\/b>, artist and lecturer in sound studies, who was in residence at OSSO with students from the MA in New Media at the School of Arts of the Portuguese Catholic University. During EIRA, he presented a series of radio programmes developed through this residency.<\/p>\n<p class=\"p1\"><b>Jo Castro<\/b>, who had been undertaking an extended creative residency at OSSO in the weeks leading up to the event, also presented a radio programme and shared insights into their movement-based artistic universe alongside members of their creative team.<\/p>\n<p class=\"p1\">The programme further included a conversation with, and a radio contribution by, <b>Gil Delindro<\/b>, the sound artist who had been in residence at OSSO during June as part of this edition of EIRA.<\/p>\n<p class=\"p1\">The resident archive for this edition was <b>OSSA \u2013 OSSO Sound Archive<\/b>, which revisited previous editions of EIRA and other sonic projects developed within the OSSO context, offering a retrospective perspective on the organisation\u2019s sound-based activities.<\/p>\n<p class=\"p1\">The programme concluded with two <b>Open Days<\/b>, held at OSSO and at the Sal\u00e3o de S\u00e3o Greg\u00f3rio. These events featured a performance by<b>\u00a0Jo Castro<\/b>, concerts by <b>David Maranha &amp; Manuel Mota<\/b>, <b>Agressive Girls<\/b>, <b>Gil Delindro<\/b>, and <b>MEDUSA unit<\/b>, the ensemble composed of Ricardo Jacinto, Jo\u00e3o Almeida, Yaw Tembe, Andr\u00e9 Hencleeday, Eleonor Picas, \u00c1lvaro Rosso and Nuno Mor\u00e3o.<\/p>\n<p class=\"p1\">The fifteenth edition of EIRA continued the project\u2019s commitment to creating a platform for experimentation, dialogue and artistic exchange, connecting sound practices, research and community through both live and broadcast formats.<\/p>\n<p class=\"p1\">Participants and audiences were also invited to access the radio projects developed by the invited artists, researchers and collectives, as well as a series of recorded conversations with members of OSSO, extending the programme beyond its physical and temporal boundaries.<\/p>\n<hr \/>\n<h3><strong>Gil Delindro<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-20675\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-17-17-1280x804.jpg 1280w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<p class=\"p1\">Gil Delindro (b. 1989, Porto) is a sound and visual artist with wide international recognition. His practice is grounded in extensive field research, with notable projects developed in the Sahara Desert (<i>The Weight of Mountains<\/i>, 2015), the Brazilian rainforest (<i>Resili\u00eancia<\/i>, 2017), rural northern Vietnam (<i>Blind Signal<\/i>, 2019), the Rh\u00f4ne Glacier (<i>La Becque<\/i>, 2019), the volcanoes of Auvergne (<i>Intramuros<\/i>, 2020), and Northumberland National Park (<i>VARC<\/i>, 2022).<\/p>\n<p class=\"p1\">Delindro has received awards and support from numerous international institutions, including the European Patent Office (EPO), the European Media Art Platform (EMAP), EDIGMA Media Arts Award (Portugal), the Berlin Masters Award (Germany), ENCAC \u2013 European Network for Contemporary Audiovisual Creation, Funda\u00e7\u00e3o Calouste Gulbenkian (Portugal), the Berlin Senate for Culture and Europe (Germany), the Goethe-Institut (Germany), OSTRALE (Germany), the STEIM Foundation (Netherlands), the Ford Foundation (Brazil, for <i>Resili\u00eancia<\/i>), the Fran\u00e7oise Siegfried Meier Foundation (Switzerland, for <i>La Becque<\/i>), EOFA \u2013 Embassy of Foreign Artists (Switzerland), and VARC \u2013 Visual Arts in Rural Communities (United Kingdom), among others.<\/p>\n<p class=\"p1\">His work is represented in both public and private collections and has been presented throughout North and South America, Asia and Europe.<\/p>\n<p class=\"p1\">In 2016, Delindro was selected by the SHAPE platform as one of Europe\u2019s most innovative sound artists, leading to presentations at major international festivals including <i>Musikprotokoll<\/i> (Austria), <i>Novas Frequ\u00eancias<\/i> (Brazil), <i>CYNETART<\/i> (Germany), <i>Athens Digital Arts Festival<\/i> (Greece), <i>Ars Electronica<\/i> (Austria), <i>Submerge Festival<\/i> (United Kingdom), <i>Semibreve<\/i> (Portugal) and <i>Lisboa Soa<\/i> (Portugal).<\/p>\n<p class=\"p1\">His work has been released by labels including Tzadik (New York), Sonoscopia (Porto) and Ausland (Berlin), among others.<\/p>\n<p><a href=\"http:\/\/delindro.com\">delindro.com<\/a><\/p>\n<p>Conversa com Gil Delindro e Nuno Mor\u00e3o<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/4WmndwxpZSqsAiN\/download\/%5Bconversa%5D%20GilDelindro%20NMorao%2020240614%20%5BEIRA%2015%5D.mp3?_=1\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/4WmndwxpZSqsAiN\/download\/%5Bconversa%5D%20GilDelindro%20NMorao%2020240614%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/4WmndwxpZSqsAiN\/download\/%5Bconversa%5D%20GilDelindro%20NMorao%2020240614%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p>Gil Delindro OSSO compilation<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/AwJnTEG6kjGLQk7\/download\/%5BGil%20Delindro%5D%20OSSO%20compilation%20%5BEIRA%2015%5D.mp3?_=2\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/AwJnTEG6kjGLQk7\/download\/%5BGil%20Delindro%5D%20OSSO%20compilation%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/AwJnTEG6kjGLQk7\/download\/%5BGil%20Delindro%5D%20OSSO%20compilation%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p>Concerto Gil Delindro, no Sal\u00e3o S\u00e3o Greg\u00f3rio Gin\u00e1sio Clube<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/FKHsXXT3Ldm4wEM\/download\/%5BGil%20Delindro%5D%20concerto%20no%20SGGC%2020240727%20%5BEIRA%2015%5D.mp3?_=3\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/FKHsXXT3Ldm4wEM\/download\/%5BGil%20Delindro%5D%20concerto%20no%20SGGC%2020240727%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/FKHsXXT3Ldm4wEM\/download\/%5BGil%20Delindro%5D%20concerto%20no%20SGGC%2020240727%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<h3><strong>Jo Castro<\/strong> (1988, Porto)<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-20639\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-11-1280x804.jpg 1280w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p class=\"p1\">A transdisciplinary non-binary artist working across dance, performance, installation, voice and sound, they have presented their work in Portugal, France, Belgium, Germany and Brazil.<\/p>\n<p class=\"p1\">Rooted in a deeply autobiographical creative universe, their practice engages with themes of death, destruction and spectrality, which permeate both their personal and artistic experience. Questions of gender are equally central to their trajectory, informing an ongoing exploration of a body that continuously deconstructs and reconstructs its own image, operating in states of in-betweenness\u2014at the threshold of the human and beyond fixed notions of gender.<\/p>\n<p class=\"p1\">Among their most significant works in the field of dance and performance are <i>Perto&#8230; tanto quanto poss\u00edvel<\/i> (2014), <i>EVERLASTING<\/i> (2016), <i>SU8MARINO<\/i> (2017\u201318), <i>RITE OF DECAY<\/i> (2019\u201320), <i>and STILL we MOVE<\/i> (2021), <i>Darktraces<\/i> (2021), and <i>D\u0336iar\u0336kti\u0336r\u0336ac\u0336e\u0336s:\u0336 on ghosts and spectral dances<\/i> (2022).<\/p>\n<p class=\"p1\">They completed professional dance training at Balleteatro Escola Profissional (2003\u20132006) and attended the Choreographic Study, Research and Creation Programme at F\u00f3rum Dan\u00e7a, Lisbon, in 2008. In 2009, they received a scholarship from NEC, followed by a DanceWeb scholarship in 2013. They completed an audio production course at Bi-Motor in 2015 and attended the postgraduate specialisation programme in Performance at FBAUP between 2016 and 2017. They are currently undertaking professional studies in electronic music and music production at the Academia de M\u00fasica do Porto.<\/p>\n<p class=\"p1\">In recent years, they have developed collaborative projects in cinema and dance film, co-directing the short film <i>\u00d8 ILHA<\/i> (2020) with Cl\u00e1udia Varej\u00e3o, <i>Darktraces<\/i> (2021) with Miguel De, and the film <i>D\u0336iar\u0336kti\u0336r\u0336ac\u0336e\u0336s:\u0336 on ghosts and spectral dances<\/i> (2023) with Jo\u00e3o Catarino.<\/p>\n<p class=\"p1\">They are currently developing <b>LABIA<\/b>, a transdisciplinary research project of a process-based and transformative nature.<\/p>\n<p>Interview with Nuno Mor\u00e3o, Jo Castro, Lui Labbate e Rezmorah<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/PwB2skJw7CRBJyB\/download\/%5Bconversa%5D%20JoCastro%20LuiLAbbate%20Rezmorah%20NMorao%2020240722%20%5BEIRA%2015%5D.mp3?_=4\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/PwB2skJw7CRBJyB\/download\/%5Bconversa%5D%20JoCastro%20LuiLAbbate%20Rezmorah%20NMorao%2020240722%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/PwB2skJw7CRBJyB\/download\/%5Bconversa%5D%20JoCastro%20LuiLAbbate%20Rezmorah%20NMorao%2020240722%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<h3><b>LABIA<\/b><\/h3>\n<p class=\"p1\">LABIA is an autobiographical research project of an ongoing and process-based nature\u2014one that never settles into a fixed form, but continuously transforms with every context, encounter and space it inhabits.<\/p>\n<p class=\"p1\">Taking non-binarity as an act of destabilising identity itself, LABIA proposes a meeting ground for multidisciplinary and transdisciplinary artists who move between worlds without becoming confined to established modes of practice. It is a space for coexistence and the continual re-signification of diverse forms of (res)(ex)istence.<\/p>\n<p class=\"p1\">Aligned with an intersectional transfeminist perspective, the project advocates the urgency of becoming-collective while preserving subjectivity and fostering non-hierarchical relationships between individuals. LABIA constructs a universe in which it becomes possible to move beyond individual and bodily materiality, undoing colonising and binary language systems and proposing new forms of discourse rooted in gesture, embodiment and transformation.<\/p>\n<p class=\"p1\">Through this process, language itself is expanded, opening multiple possibilities within an artistic and life-long practice that remains intentionally unfinished. Through acts of transmuting, transitioning, transpiring, transgressing and unsettling, LABIA creates new meanings and opens spaces for encounter with an aesthetic of <i>deviating-towards-unimaginable futures<\/i>\u2014or perhaps futures that are only now becoming imaginable\u2014offering pathways for existential expansion in the here and now.<\/p>\n<p>LABIA \u2013 programme-performance at the OSSO cellar I<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/xJRqTMXbty6koWT\/download\/%5BJo%20Castro%5D%20programa-performance%20Adega%2020240722%20%5BEIRA%2015%5D.mp3?_=5\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/xJRqTMXbty6koWT\/download\/%5BJo%20Castro%5D%20programa-performance%20Adega%2020240722%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/xJRqTMXbty6koWT\/download\/%5BJo%20Castro%5D%20programa-performance%20Adega%2020240722%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p>LABIA \u2013 performance at the OSSO cellar II<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/tsZ4wn384o4LX6S\/download\/%5BJo%20Castro%5D%20performance%20Adega%2020240726%20%5BEIRA%2015%5D.mp3?_=6\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/tsZ4wn384o4LX6S\/download\/%5BJo%20Castro%5D%20performance%20Adega%2020240726%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/tsZ4wn384o4LX6S\/download\/%5BJo%20Castro%5D%20performance%20Adega%2020240726%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<h3>CONCERTO | 26.07.24 | <strong>Manuel Mota and David Maranha<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-20629\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-16-1280x804.jpg 1280w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p class=\"p1\"><b>Live music at OSSO<\/b><\/p>\n<p class=\"p1\">This concert will be broadcast on <b>FM 89.6 MHz<\/b> (S\u00e3o Greg\u00f3rio and surrounding areas) and streamed via the online player.<\/p>\n<p class=\"p1\"><b>Manuel Mota &amp; David Maranha<\/b><\/p>\n<p class=\"p1\">Manuel Mota \u2013 electric guitar<br \/>\nDavid Maranha \u2013 electric organ<\/p>\n<p class=\"p1\">For over 25 years, Manuel Mota and David Maranha have maintained an ongoing artistic collaboration. Working as a duo, as part of collectives such as <b>Osso Ex\u00f3tico<\/b>, <b>Curia<\/b>, and <b>Dru<\/b>, and alongside musicians including Chris Corsano, Richard Youngs and Z\u2019EV, they have developed a musical trajectory rooted in experimental drone, noise and improvisation\u2014recently evolving towards a form of electronic music that still carries the traces of their long-standing sonic path.<\/p>\n<p class=\"p1\"><b>Manuel Mota (Lisbon, 1970)<\/b><\/p>\n<p class=\"p1\">Active as a guitarist since 1990, Manuel Mota\u2019s work draws from a wide range of references, cultivating an enigmatic sense of timelessness. His practice has largely remained within the underground scene, a context that has shaped key aspects of his approach: reduced means, absence of ornamentation, and a strong presence of home recordings.<\/p>\n<p class=\"p1\">He founded the record label <b>Headlights<\/b> in 1998\u201399, through which most of his work has been released. Other labels include Room40, Blue Chopsticks \/ Drag City, Holidays, and Yew. He maintains long-term collaborations with Margarida Garcia and David Maranha \/ Osso Ex\u00f3tico.<\/p>\n<p class=\"p1\"><b>David Maranha (b. 1969, Figueira da Foz)<\/b><\/p>\n<p class=\"p1\">David Maranha\u2019s work spans music, architecture and sculpture. Since 1986, he has developed a prolific musical practice, both solo and in collaboration, releasing around 40 albums to date.<\/p>\n<p class=\"p1\">He has worked with a wide range of artists, including Chris Corsano, Richard Youngs, Z\u2019EV, Alex Zhang Hungtai (Dirty Beaches), Phill Niblock, David Grubbs, Akio Suzuki, Will Guthrie, Andrea Belfi, Jochen Arbeit (Einst\u00fcrzende Neubauten), David Thomas (Pere Ubu), Carla Bozulich, BJ Nilsen and many others.<\/p>\n<p class=\"p1\">His collaborative projects include Osso Ex\u00f3tico, Curia, Dru, Bowline, and Organ Eye.<\/p>\n<p class=\"p1\">Alongside music, Maranha trained in architecture at the Faculty of Architecture, Technical University of Lisbon (graduated 1993). He has since developed an architectural practice with built projects including schools, museums, hospitals and residential structures, mainly in the Sintra region.<\/p>\n<p class=\"p1\">His sculptural work began in 1993 with <i>Montre<\/i>, presented at Boqueir\u00e3o da Praia da Gal\u00e9, Lisbon. His work has since been shown in venues including Experimental Intermedia (New York), Wesleyan University (Connecticut), K\u00fcnstlerhaus Bethanien (Berlin), and various sites across Lisbon, Porto and Brussels.<\/p>\n<p class=\"p1\"><b>Nuno Mor\u00e3o (Porto, 1976)<\/b><\/p>\n<p class=\"p1\">Nuno Mor\u00e3o\u2019s artistic trajectory is marked by a continuous openness to diverse musical languages, unified by experimentation and a constant drive for stylistic renewal.<\/p>\n<p class=\"p1\">Active in the underground scene since the early 1990s, he has combined artistic practice with academic study in percussion, music technology, sonology, composition and digital media. He has also taught in various higher education institutions in Portugal.<\/p>\n<p class=\"p1\">Over the past 30 years, he has participated in numerous bands and ensembles across multiple genres, collaborating with hundreds of musicians worldwide. In recent years, his work has been closely associated with <b>Sonoscopia<\/b>, the collective and association he co-founded, dedicated to sonic exploration through experimental creation and collaboration.<\/p>\n<p>Concert \u2013 Manuel Mota &amp; David Maranha at OSSO Workshop Space<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/yBnxiC257Swn94c\/download\/%5BManuel%20Mota%20+%20David%20Maranha%5D%20concerto%20na%20oficina%2020240726%20%5BEIRA%2015%5D.mp3?_=7\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/yBnxiC257Swn94c\/download\/%5BManuel%20Mota%20+%20David%20Maranha%5D%20concerto%20na%20oficina%2020240726%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/yBnxiC257Swn94c\/download\/%5BManuel%20Mota%20+%20David%20Maranha%5D%20concerto%20na%20oficina%2020240726%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<h3>CONCERT | 26.07.24 | Agressive Girls<\/h3>\n<p class=\"p1\">Live music at <strong>OSSO<\/strong>. These concerts will be broadcast on <strong>FM 89.6 MHz<\/strong> (S\u00e3o Greg\u00f3rio and surrounding areas) and streamed via this player.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-20633\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/08\/DA-16-19-1280x804.jpg 1280w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p class=\"p1\"><strong>Agressive Girls<\/strong>, a new electronic punk band formed by Dakoi and Diana XL, release their self-titled EP in 2024. Across seven tracks, they compress a blood pact between dirty, noisy beats and raw, emotional vocals, unfolding at the intersection of lived emotional intensity and computer-made music.<\/p>\n<p class=\"p1\">They channel feelings at 200% presence, delivering a sound marked by queer lesbian rage\u2014unbounded, fearless, and without room for compromise. Their lyrics confront frustrations with the world and those who challenge them, staging a charged entanglement between life and death that leaves them hungry for experience.<\/p>\n<p class=\"p1\">Drawing from the sonic landscapes of their teenage years, they crystallize ideals and processes of growth. Inspired by subgenres of metal, dubstep, and trap, they weave these references into a sharp, deconstructive sonic language. Having followed each other\u2019s musical paths since their early solo careers, they now join forces to explore their post-teenage identities and musical references through a shared artistic project.<\/p>\n<p>Agressive Girls Concert<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/boZMeG9tq65GweM\/download\/%5BAgressive%20Girls%5D%20concerto%20na%20oficina%2020240726%20%5BEIRA%2015%5D.mp3?_=8\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/boZMeG9tq65GweM\/download\/%5BAgressive%20Girls%5D%20concerto%20na%20oficina%2020240726%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/boZMeG9tq65GweM\/download\/%5BAgressive%20Girls%5D%20concerto%20na%20oficina%2020240726%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<h3>CONCERT | 27.07.24 | <strong>Medusa Unit<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21068\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/medusaunit_geral6-1280x804.jpg 1280w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p class=\"p1\"><strong>Ensemble of acoustic instruments, electronics, and resonant objects<\/strong><\/p>\n<p><strong>Alvaro Rosso<\/strong> \u2014 double bass<br \/>\n<strong>Andr\u00e9 Hencleeday<\/strong> \u2014 organ<br \/>\n<strong>Eleanor Picas<\/strong> \u2014 harp<br \/>\n<strong>Jo\u00e3o Almeida<\/strong> \u2014 trumpet and electronics<br \/>\n<strong>Nuno Mor\u00e3o<\/strong> \u2014 percussion and harmonium<br \/>\n<strong>Ricardo Jacinto<\/strong> \u2014 cello and electronics, composition and direction<br \/>\n<strong>Yaw Tembe<\/strong> \u2014 trumpet and electronics<\/p>\n<p class=\"p1\"><strong>MEDUSA Unit<\/strong> is an ensemble that extends the solo project (for cello, electronics, and resonant objects) that Ricardo Jacinto has been developing since 2014. This project included the design of an electroacoustic device that\u2014using an amplification system with microphones distributed across different points of the cello and a diffusion system with multiple contact loudspeakers attached to resonant objects\u2014enabled the exploration of sonic fragmentation and dispersion across the instrument\u2019s body. It articulates a microscopic listening of the cello with soundscape and the acoustic properties of the surrounding space.<\/p>\n<p class=\"p1\">With a flexible formation composed of improviser-performers, the unit continues the core premises of the original project while expanding into the hybridization of multiple acoustic instruments through an electroacoustic system of resonant interaction, where signal interference and feedback networks form the basis of a music that engages with the specific characteristics of performance spaces, resulting in a strongly textural sound world rooted in minimalism and spectralism.<\/p>\n<p>Medusa Unit Concert at Sal\u00e3o S\u00e3o Greg\u00f3rio Gin\u00e1sio Clube<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/QpbQ84xkzWCNTBH\/download\/%5BMEDUSA%20unit%5D%20concerto%20no%20SGGC%2020240727%20%5BEIRA%2015%5D.mp3?_=9\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/QpbQ84xkzWCNTBH\/download\/%5BMEDUSA%20unit%5D%20concerto%20no%20SGGC%2020240727%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/QpbQ84xkzWCNTBH\/download\/%5BMEDUSA%20unit%5D%20concerto%20no%20SGGC%2020240727%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<\/div>\n<h3>Mestrado UCP | Diogo Tudela<\/h3>\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-21070\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/tudela.jpg\" alt=\"\" width=\"1048\" height=\"739\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/tudela.jpg 1048w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/tudela-300x212.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/tudela-1024x722.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2024\/11\/tudela-768x542.jpg 768w\" sizes=\"auto, (max-width: 1048px) 100vw, 1048px\" \/><\/p>\n<p class=\"p1\"><strong>Diogo Tudela<\/strong> (Porto, 1987) is a programmer and maker working at the intersection of syntactic systems, formal languages, and allographic representations.<\/p>\n<p class=\"p1\">He holds a BA in Sound and Image (2009) and an MA in Digital Arts (2011), both from the School of Arts of the Catholic University of Portugal, where he later interned as a researcher at CITAR \u2014 the Research Centre for Science and Technology of the Arts. He also taught Typography and Communication Design in the university\u2019s Postgraduate Programme in Digital Design between 2012 and 2014.<\/p>\n<p class=\"p1\">He currently teaches in the Multimedia Art degree at ISMAI, in the Postgraduate Programme in Printmaking at FBAUP, and in the Fine Arts and Intermedia programme at ESAP.<\/p>\n<p class=\"p1\">In 2015, he was a finalist for the Novo Banco Revelation Prize at the Serralves Foundation, and selected for the official programme of the BAFTA-qualifying ASFF. In 2017, he presented the work <i>\u201cSolar Param\u00e9trica\u201d<\/i> at CAAA, Guimar\u00e3es, supported by a grant from the Calouste Gulbenkian Foundation.<\/p>\n<p><a href=\"https:\/\/dtdl.work\/\"><span style=\"font-weight: 400;\">dtdl.work<\/span><\/a><\/p>\n<p><strong>01_DOM<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/PzogqacsN2xaBJt\/download\/%5BDiogo%20Tudela%5D%2001_DOM%20%5BEIRA%2015%5D.mp3?_=10\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/PzogqacsN2xaBJt\/download\/%5BDiogo%20Tudela%5D%2001_DOM%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/PzogqacsN2xaBJt\/download\/%5BDiogo%20Tudela%5D%2001_DOM%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>02_Vocal Engineering<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/j9oTqxZiMmy6W23\/download\/%5BDiogo%20Tudela%5D%2002_Vocal%20Engineering%20%5BEIRA%2015%5D.mp3?_=11\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/j9oTqxZiMmy6W23\/download\/%5BDiogo%20Tudela%5D%2002_Vocal%20Engineering%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/j9oTqxZiMmy6W23\/download\/%5BDiogo%20Tudela%5D%2002_Vocal%20Engineering%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>03_Synthetic Motordrome<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/Ti4p9s7LPt4ntSK\/download\/%5BDiogo%20Tudela%5D%2003_Motordromo%20Sint%C3%A9tico%20%5BManipulation%5D%20%28OSSO%20rework%29%20%5BEIRA%2015%5D.mp3?_=12\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/Ti4p9s7LPt4ntSK\/download\/%5BDiogo%20Tudela%5D%2003_Motordromo%20Sint%C3%A9tico%20%5BManipulation%5D%20%28OSSO%20rework%29%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/Ti4p9s7LPt4ntSK\/download\/%5BDiogo%20Tudela%5D%2003_Motordromo%20Sint%C3%A9tico%20%5BManipulation%5D%20%28OSSO%20rework%29%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>04_Free Play Session<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/K5WMxd48F9KmKRD\/download\/%5BDiogo%20Tudela%5D%2004_Free%20Play%20Session%20%5BEIRA%2015%5D.mp3?_=13\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/K5WMxd48F9KmKRD\/download\/%5BDiogo%20Tudela%5D%2004_Free%20Play%20Session%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/K5WMxd48F9KmKRD\/download\/%5BDiogo%20Tudela%5D%2004_Free%20Play%20Session%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>05_If Machine<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/RnAdmTmY7JgmDxD\/download\/%5BDiogo%20Tudela%5D%2005_If%20Machine%20%5BEIRA%2015%5D.mp3?_=14\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/RnAdmTmY7JgmDxD\/download\/%5BDiogo%20Tudela%5D%2005_If%20Machine%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/RnAdmTmY7JgmDxD\/download\/%5BDiogo%20Tudela%5D%2005_If%20Machine%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>06_Beats &amp; Instrumentals<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-15\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/kgrt78cK9KjMqqe\/download\/%5BDiogo%20Tudela%5D%2006_Batidas%20e%20Instrumentais%20%28Vol.%201%29%20%5BEIRA%2015%5D.mp3?_=15\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/kgrt78cK9KjMqqe\/download\/%5BDiogo%20Tudela%5D%2006_Batidas%20e%20Instrumentais%20%28Vol.%201%29%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/kgrt78cK9KjMqqe\/download\/%5BDiogo%20Tudela%5D%2006_Batidas%20e%20Instrumentais%20%28Vol.%201%29%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>07_Preliminary Studies<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-16\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/yoHCie55zp8WjYP\/download\/%5BDiogo%20Tudela%5D%2007_Preliminary%20Studies%20for%20FRELITRA%20%5BEIRA%2015%5D.mp3?_=16\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/yoHCie55zp8WjYP\/download\/%5BDiogo%20Tudela%5D%2007_Preliminary%20Studies%20for%20FRELITRA%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/yoHCie55zp8WjYP\/download\/%5BDiogo%20Tudela%5D%2007_Preliminary%20Studies%20for%20FRELITRA%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>08_Dub Session for &#8220;WORK&#8221;<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-17\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/Qia2DXzoCrRBL54\/download\/%5BDiogo%20Tudela%5D%2008_Dub%20Session%20for%20%22WORK%22%20%5BEIRA%2015%5D.mp3?_=17\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/Qia2DXzoCrRBL54\/download\/%5BDiogo%20Tudela%5D%2008_Dub%20Session%20for%20%22WORK%22%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/Qia2DXzoCrRBL54\/download\/%5BDiogo%20Tudela%5D%2008_Dub%20Session%20for%20%22WORK%22%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>09_No Input Mix for &#8220;WORK&#8221;<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-18\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/wyrGYCgarwZTJrW\/download\/%5BDiogo%20Tudela%5D%2009_No%20Input%20Mix%20for%20%22WORK%22%20%5BEIRA%2015%5D.mp3?_=18\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/wyrGYCgarwZTJrW\/download\/%5BDiogo%20Tudela%5D%2009_No%20Input%20Mix%20for%20%22WORK%22%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/wyrGYCgarwZTJrW\/download\/%5BDiogo%20Tudela%5D%2009_No%20Input%20Mix%20for%20%22WORK%22%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>10_TOOLING<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-19\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/5CeQFnrq2canFNg\/download\/%5BDiogo%20Tudela%5D%2010_TOOLING%20%5BEIRA%2015%5D.mp3?_=19\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/5CeQFnrq2canFNg\/download\/%5BDiogo%20Tudela%5D%2010_TOOLING%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/5CeQFnrq2canFNg\/download\/%5BDiogo%20Tudela%5D%2010_TOOLING%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>11_Eurodance Variations<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-20\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/dpa8MYrwm32Jerq\/download\/%5BDiogo%20Tudela%5D%2011_Eurodance%20Variations%20%5BEIRA%2015%5D.mp3?_=20\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/dpa8MYrwm32Jerq\/download\/%5BDiogo%20Tudela%5D%2011_Eurodance%20Variations%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/dpa8MYrwm32Jerq\/download\/%5BDiogo%20Tudela%5D%2011_Eurodance%20Variations%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>12_Reggaeton or a Haptic Lecture on Pressure to the North (Research Podcast)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-21\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/AWfzJG9pTNpDoQn\/download\/%5BDiogo%20Tudela%5D%2012_Reggaeton%20or%20a%20Haptic%20Lecture%20on%20Pressure%20to%20the%20North%20%28Research%20Podcast%29%20%5BEIRA%2015%5D.mp3?_=21\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/AWfzJG9pTNpDoQn\/download\/%5BDiogo%20Tudela%5D%2012_Reggaeton%20or%20a%20Haptic%20Lecture%20on%20Pressure%20to%20the%20North%20%28Research%20Podcast%29%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/AWfzJG9pTNpDoQn\/download\/%5BDiogo%20Tudela%5D%2012_Reggaeton%20or%20a%20Haptic%20Lecture%20on%20Pressure%20to%20the%20North%20%28Research%20Podcast%29%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>13_Tendency Mix for OSSO<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-22\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/PgXPefasBW6MajQ\/download\/%5BDiogo%20Tudela%5D%2013_Tendency%20Mix%20for%20OSSO%20%5BEIRA%2015%5D.mp3?_=22\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/PgXPefasBW6MajQ\/download\/%5BDiogo%20Tudela%5D%2013_Tendency%20Mix%20for%20OSSO%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/PgXPefasBW6MajQ\/download\/%5BDiogo%20Tudela%5D%2013_Tendency%20Mix%20for%20OSSO%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<p><strong>14_SMUP Residency Outputs<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-24572-23\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/6djBoqzmQCYY5DN\/download\/%5BDiogo%20Tudela%5D%2014_SMUP%20Residency%20Outputs%20%5BEIRA%2015%5D.mp3?_=23\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/6djBoqzmQCYY5DN\/download\/%5BDiogo%20Tudela%5D%2014_SMUP%20Residency%20Outputs%20%5BEIRA%2015%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/6djBoqzmQCYY5DN\/download\/%5BDiogo%20Tudela%5D%2014_SMUP%20Residency%20Outputs%20%5BEIRA%2015%5D.mp3<\/a><\/audio>\n<hr \/>\n<p class=\"p1\">During the intervals between talks and concerts, the OSSO Sound Archive will be broadcast. <strong>OSSA<\/strong> includes sonic donations from members of the collective and <strong>EIRA<\/strong> residents, presenting itself as the immaterial trace of our sonic affinities.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The fifteenth edition of EIRA took place from 20 to 27 July 2024, bringing together artists, researchers and sound practitioners through a programme of radio broadcasts, artistic residencies, conversations, performances and concerts. This edition featured the participation of Diogo Tudela, artist and lecturer in sound studies, who was in residence at OSSO with students from the MA in New Media [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12533,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-24572","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/24572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=24572"}],"version-history":[{"count":4,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/24572\/revisions"}],"predecessor-version":[{"id":24584,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/24572\/revisions\/24584"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/12533"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=24572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}