{"id":23837,"date":"2025-11-20T12:24:58","date_gmt":"2025-11-20T12:24:58","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=23837"},"modified":"2025-11-20T12:31:20","modified_gmt":"2025-11-20T12:31:20","slug":"the-selva-the-selva","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/editions\/the-selva-the-selva\/","title":{"rendered":"The Selva \u2022 The Selva"},"content":{"rendered":"
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The Selva \u2022 The Selva<\/span><\/p>\n

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Ricardo Jacinto<\/strong>: cello
\nGon\u00e7alo Almeida<\/strong>: doublebass
\nNuno Mor\u00e3o<\/strong>: drums<\/p>\n

Ricardo Jacinto, Gon\u00e7alo Almeida and Nuno Mor\u00e3o are The Selva, the Portuguese trio whose self-titled album marks their debut. The group presents a work rich in musical references, traversing multiple spatial and temporal symbolisms. From allusions to traditional music practices of the Far East to virtual journeys through the Renaissance and its aesthetic values, the music also rests lightly on the obsessive repetitions and signifying patterns characteristic of African musical cultures.<\/p>\n

Through these musical references, symbolic layers and ambiguous proposals of meaning, the trio constructs a sonic semiotics shaped by a raw, unadorned essence often associated with jazz, while also embracing more concrete acoustic and performative approaches.<\/p>\n

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