{"id":23828,"date":"2025-11-20T11:48:34","date_gmt":"2025-11-20T11:48:34","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=23828"},"modified":"2025-11-20T11:48:34","modified_gmt":"2025-11-20T11:48:34","slug":"da-fabrica-que-desvanece-a-beira-do-tejo","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/editions\/da-fabrica-que-desvanece-a-beira-do-tejo\/","title":{"rendered":"Da F\u00e1brica que Desvanece \u00e0 Beira do Tejo"},"content":{"rendered":"
\nDa F\u00e1brica que Desvanece \u00e0 Beira do Tejo<\/span>\"\"<\/a><\/p>\n

Texts by: Celso Martins | Cl\u00e1udia Ramos | Lu\u00edsa Santos | Maria do Mar Fazenda | Sara Ant\u00f3nia Matos | Administra\u00e7\u00e3o Ba\u00eda do Tejo, S.A.<\/p>\n

Developed within an artistic residency programme designed by the cultural organisation Casinf\u00e2ncia, this project enabled the expression of multiple disciplines and artistic practices. Through an exhibition, it opened to the community a series of spaces that are usually inaccessible, helping to transform the territory into a platform for artistic processes.<\/p>\n

\u201cda f\u00e1brica que desvanece \u00e0 ba\u00eda do tejo is a rhizome, a project that embraces different layers and took shape as an artistic residency, an exhibition and an editorial project. The name of this rhizomatic structure alludes to Francisco de Holanda, who in 1571 published Da F\u00e1brica que Falece \u00e0 Cidade de Lisboa, an urban planning treatise that reflects on the urban fabric and proposes new ways of organising the territory. Here, we are interested in that same movement: defining a field of action and confluence and inscribing within it new propositions, privileging processes of creation and research as the ground for producing new discourses and ways of thinking. [\u2026]\n

This publication is the final chapter of the project. It not only takes on the important task of documenting what the composite installation at Ba\u00eda do Tejo once was, but also fosters encounters between artists and authors, becoming yet another space of discourse. At the same time, it is configured as a space of creation in its own right, presenting five new works, in dialogue with the site, with which we set out along the path traced in this folio.\u201d<\/p>\n

-Cl\u00e1udia Ramos<\/p>\n

\n

Title: From the Fading Factory to the Banks of the Tagus
\nPublisher: Documenta (Sistema Solar)
\nYear: 2018
\nPrint run: 450 copies
\nOrganisation: Casinf\u00e2ncia
\nCuratorship and editorial coordination: Cl\u00e1udia Ramos
\nTexts by: Celso Martins; Cl\u00e1udia Ramos; Lu\u00edsa Santos; Maria do Mar Fazenda; Sara Ant\u00f3nia Matos; Administra\u00e7\u00e3o Ba\u00eda do Tejo S.A.
\nTranslation: Sofia Quintas
\nPhotography: Jorge Gra\u00e7a \u2013 Projecto Teatral (pp. 77\u201385)
\nDesign: Viv\u00f3eus\u00e9bio
\nProofreading: Helena Rold\u00e3o
\nPrinting: Gr\u00e1fica Maiadouro, SA
\nDimensions: 166 \u00d7 238 \u00d7 10 mm
\nBinding: Softcover
\nPages: 116
\nOther: Includes 1 CD<\/p>\n

\n

Price: 20\u20ac<\/p>\nOrder<\/span><\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Da F\u00e1brica que Desvanece \u00e0 Beira do Tejo Texts by: Celso Martins | Cl\u00e1udia Ramos | Lu\u00edsa Santos | Maria do Mar Fazenda | Sara Ant\u00f3nia Matos | Administra\u00e7\u00e3o Ba\u00eda do Tejo, S.A. Developed within an artistic residency programme designed by the cultural organisation Casinf\u00e2ncia, this project enabled the expression of multiple disciplines and artistic practices. Through an exhibition, it […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":23749,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23828","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=23828"}],"version-history":[{"count":1,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23828\/revisions"}],"predecessor-version":[{"id":23829,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23828\/revisions\/23829"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23749"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=23828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}