{"id":23771,"date":"2025-11-19T14:42:13","date_gmt":"2025-11-19T14:42:13","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=23771"},"modified":"2025-11-20T10:37:35","modified_gmt":"2025-11-20T10:37:35","slug":"the-selva-camarao-girafa","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/editions\/the-selva-camarao-girafa\/","title":{"rendered":"The Selva \u2022 Camar\u00e3o-Girafa"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 50px auto;\">\n<p dir=\"ltr\">The Selva \u2022 <span style=\"color: #ff0000;\">Camar\u00e3o-Girafa<\/span><\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2025\/10\/camarao-site.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23446\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2025\/10\/camarao-site.gif\" alt=\"\" width=\"1200\" height=\"591\" \/><\/a><\/p>\n<p dir=\"ltr\"><strong>Ricardo Jacinto<\/strong>: cello and electronics (+ harmonium on Cocuruto)<br \/>\n<strong>Gon\u00e7alo Almeida<\/strong>: double bass and electronics<br \/>\n<strong>Nuno Mor\u00e3o:<\/strong> drums and percussion<\/p>\n<p data-start=\"0\" data-end=\"280\">\u201cCamar\u00e3o-Girafa\u201d is the fourth album by The Selva, a trio formed in 2016. Known for its exploration of a wide spectrum of musical styles, the band now presents its signature improvised musical dialogue infused with electroacoustic textures and minimalist, repetitive strategies.<\/p>\n<p data-start=\"282\" data-end=\"650\">Over the years, The Selva\u2019s music has evolved through the incorporation of electronic and electroacoustic devices, expanding its idiosyncratic and diverse sonic world. This new album, mixed by Manuel Pinheiro, preserves an approach that resists fixed genre classification, favouring progressive compositions built around repetition and slow textural transformations.<\/p>\n<p data-start=\"652\" data-end=\"930\" data-is-last-node=\"\" data-is-only-node=\"\">The inclusion of electronic elements and an expanded palette of string instruments, combined with a rock-inspired post-production, heightens the listener\u2019s experience. With \u201cCamar\u00e3o-Girafa\u201d, The Selva reaches a new threshold in the experimental territories of contemporary jazz.<\/p>\n<hr \/>\n<p dir=\"ltr\"><iframe style=\"border: 0; width: 100%; height: 340px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=640473790\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ricardojacinto.bandcamp.com\/album\/camar-o-girafa-2\">CAMAR\u00c3O-GIRAFA by THE SELVA<\/a><\/iframe><\/p>\n<hr \/>\n<p dir=\"ltr\">Format: CD<br \/>\nLabel: Clean Feed Records<br \/>\nYear: 2023<br \/>\nDuration: 38:56<br \/>\nEdition: 1000 copies<br \/>\nRecording: Eduardo Vinhas (assisted by Bernardo Centeno) at Namouche Studios, Lisbon, 8 December 2021<br \/>\nMastering: Manuel Pinheiro<br \/>\nProduction: OSSO<br \/>\nExecutive production: Pedro Costa<br \/>\nCover painting: Dead Rat Smiling, 2022 by Fern\u00e3o Cruz (photo by Bruno Lopes)<br \/>\nDesign: Travassos<\/p>\n<hr \/>\n<p>Price: 12\u20ac<\/p>\n<p dir=\"ltr\"><a class=\"sf-button small grey slightlyrounded \" href=\"https:\/\/arquivo.osso.pt\/en\/orders\/\" target=\"_blank\"><span>Order<\/span><\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Selva \u2022 Camar\u00e3o-Girafa Ricardo Jacinto: cello and electronics (+ harmonium on Cocuruto) Gon\u00e7alo Almeida: double bass and electronics Nuno Mor\u00e3o: drums and percussion \u201cCamar\u00e3o-Girafa\u201d is the fourth album by The Selva, a trio formed in 2016. Known for its exploration of a wide spectrum of musical styles, the band now presents its signature improvised musical dialogue infused with electroacoustic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":23749,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23771","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=23771"}],"version-history":[{"count":2,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23771\/revisions"}],"predecessor-version":[{"id":23799,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23771\/revisions\/23799"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/23749"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=23771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}