{"id":18840,"date":"2023-10-13T11:39:49","date_gmt":"2023-10-13T11:39:49","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=18840"},"modified":"2024-09-27T13:29:47","modified_gmt":"2024-09-27T13:29:47","slug":"eira-12","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/eira\/eira-12\/","title":{"rendered":"EIRA #12"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 40px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69e16bda774a3\" class=\"master-slider-parent msl ms-parent-id-151\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69e16bda774a3\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" 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513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_74a3 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p>Access the radio projects developed by the invited artists, researchers, and collectives for the Twelfth edition of EIRA here. Also, listen to their conversations with members of OSSO.<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">JULIUS GABRIEL<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18630\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel.jpg\" alt=\"\" width=\"890\" height=\"592\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel.jpg 890w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel-300x200.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel-768x511.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel-600x399.jpg 600w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/p>\n<hr \/>\n<p><strong>Julius Gabriel<\/strong> is a saxophonist whose work delves into the boundaries and intricacies of his instruments. He explores the dynamic interplay between corporeality, acoustics, transcendence, and hypnosis. His musical foundation is deeply rooted in improvisation, drawing inspiration from an eclectic spectrum of genres, including jazz, folk, classical, psychedelic, noise, minimalism, drone, and ambient music. As an enthusiastic soloist, he has cultivated various branches of solo performances, continually evolving his craft. In his acoustic solo concerts he immerses himself in a meditative manner within the unique spatial dimensions and resonances of each performance space. Alternatively, he crafts otherworldly soundscapes through electronic manipulation and delay loops, enthralling audiences at physical volumes. He also transforms the saxophone into a percussive instrument, meticulously capturing the mechanical sounds and elevating them to the forefront, resembling a drum machine or a percussion ensemble. Julius Gabriel&#8217;s musical odyssey is exemplified in several solo albums, a testament to his versatile and innovative approach. As a collaborator he co-founded the trance-inducing duo Paisiel with sound sculptor and percussionist Jo\u00e3o Pais Filipe, the dark roaming jazz group Ikizukuri with Gustavo Costa and Gon\u00e7alo Almeida, most recently reinforced by Susana Santos Silva on trumpet, the agitational avant-garde group Das Beh\u00e4lter,the psychedelic jazz noise quartet Blutiger Jupiter, and the reeds duo About Angels and Animals. He has been a member of the utopian beats, krautrock, jazz trance, noise collective The Dorf led by Jan Klare. He is a member of the Barry Guy Blue Shroud Band, which brings together 14 musicians with diverse expertise and backgrounds in baroque music, jazz, folk music, contemporary classical music and free improvisation, and has played with the London Jazz Composers Orchestra under Guy&#8217;s direction. Born and raised in East Berlin, he began his musical education at public music schools, further enriched by the underground club culture. He completed a BA in Jazz Performing Arts at Folkwang University of the Arts in Essen, with additional coursework in the Institute for Computer Music and Electronic Media and involvement in New Music ensemble projects. He received a scholarship abroad to Porto, Portugal and was artist in residence at the Indian Music Experience Museum in Bangalore, India.<\/p>\n<p><strong>Talk with Julius Gabriel, Ricardo Jacinto and Nuno Mor\u00e3o<\/strong><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18840-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/eD6MWpX2nPLCCYc\/download\/%5BJULIUS%20GABRIEL%5D%20Programa%20e%20conversa%20com%20NMorao%20RJacinto%20%5BEIRA%2012%5D.mp3?_=1\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/eD6MWpX2nPLCCYc\/download\/%5BJULIUS%20GABRIEL%5D%20Programa%20e%20conversa%20com%20NMorao%20RJacinto%20%5BEIRA%2012%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/eD6MWpX2nPLCCYc\/download\/%5BJULIUS%20GABRIEL%5D%20Programa%20e%20conversa%20com%20NMorao%20RJacinto%20%5BEIRA%2012%5D.mp3<\/a><\/audio>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">COMPANHIA CA\u00d3TICA<\/div><div class=\"wpb_toggle_content\">\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18638\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/logo-caotica.jpg\" alt=\"\" width=\"1080\" height=\"566\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/logo-caotica.jpg 1080w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/logo-caotica-300x157.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/logo-caotica-1024x537.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/logo-caotica-768x402.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/logo-caotica-600x314.jpg 600w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/p>\n<p>Founded in 2009 by <strong>Ant\u00f3nio Pedro<\/strong> and <strong>Caroline Bergeron<\/strong>, <strong>Companhia Ca\u00f3tica<\/strong> has regularly created performances for young audiences\/families as well as adults, commissioned by the Centro Cultural de Bel\u00e9m, Calouste Gulbenkian Foundation, Marionette Museum, IndieLisboa Festival, Temps D&#8217;Images Festival, EGEAC, and more. They have participated in festivals such as Spectacles en Recommand\u00e9, MOMIX \u2013 Festival International Jeune Public (where they received the MOMIX 2014 Best Show Award for &#8220;Sopa Nuvem&#8221;), Ource\u00e1nie, La Petite Roulotte, A Pas Cont\u00e9s, Le Chainon Manquant (France), Rompiendo el cascaron (Spain), Big Bang, and Dias da M\u00fasica (CCB), Festival TODOS, Sementes, R\u00e1dio Faneca (\u00cdlhavo), Cidade Preocupada (Montemor-o-Novo), Altitudes (Montemuro), Festival de Marionetas de Montemor-o-Novo, and CCB Fora de Si. Since its inception, Ca\u00f3tica has produced 20 multidisciplinary artistic creations: film-concerts, puppet theater, theater for babies, concerts, sound documentaries, theater; and 12 workshops in music, cinema, dramaturgical writing, shadow theater, and artistic teacher training, presenting their work in cultural centers in Portugal, France, Switzerland, Italy, Belgium, Spain, Brazil, and Macau. Creators of a universe as recognizable as it is unpredictable &#8211; where they intertwine humor with poetry and fiction with reality &#8211; Ant\u00f3nio and Caroline often draw from their own lives to engage with the lives of the audience, creating artistic objects that serve as vehicles for true sharing. Ca\u00f3tica&#8217;s goal is to provoke a response from the audience, touch on collective and individual memories, encourage free thinking, and create a strong interdependence between the audience and the work. Ca\u00f3tica comes from chaos, the beginning of the world where everything was together and present. Whether for children, families, or adults, chaotic artistic objects are almost always hybrids, multidisciplinary results of the intersection of various arts: Theater, Music, Cinema, Visual Arts. One of the company&#8217;s objectives is the widest possible circulation of its productions; &#8220;Sopa Nuvem&#8221; has been touring since 2011 and has been seen by 15,000 spectators in over 100 performances. In addition to its artistic directors, Ca\u00f3tica welcomed Margarida Mestre as a guest artist in 2014 and regularly collaborates with other creators and artists. They made their debut in audiovisual production with &#8220;Pequeno Grande C&#8221; (2014) for the Calouste Gulbenkian Foundation, followed by the music video &#8220;Truz truz&#8221; for the audio book &#8220;Poemas para Bocas Pequenas.&#8221; In 2015, the company inaugurated the Ca\u00f3tica Festival in Loul\u00e9, as well as the International Meeting &#8211; Creation for Childhood, where they seek to jointly reflect on the creation, programming, and circulation of shows for children.<\/p>\n<p><strong>Talk with Antonio Pedro, Caroline Bergeron, Ricardo Jacinto and Nuno Mor\u00e3o<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18840-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/gBknytYF7PTyrXM\/download\/%5Bconversa%5D%20AntonioPedro%20CarolineBergeron%20RJacinto%20NMorao%20%5BEIRA%2012%5D.mp3?_=2\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/gBknytYF7PTyrXM\/download\/%5Bconversa%5D%20AntonioPedro%20CarolineBergeron%20RJacinto%20NMorao%20%5BEIRA%2012%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/gBknytYF7PTyrXM\/download\/%5Bconversa%5D%20AntonioPedro%20CarolineBergeron%20RJacinto%20NMorao%20%5BEIRA%2012%5D.mp3<\/a><\/audio>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONCERTS | 14.10.23 | TeresaComCerteza &amp; umgrandefilhodam\u00e3e + JOANA GUERRA + JULIUS GABRIEL<\/div><div class=\"wpb_toggle_content\">\n<p>Live music at <strong>OSSO<\/strong>. These two concerts will be broadcast on <strong>FM 89.6 MHz<\/strong> (S\u00e3o Greg\u00f3rio and surrounding areas) and <strong>streamed<\/strong> on this player.<\/p>\n<hr \/>\n<p><strong>TeresaComCerteza &amp; umgrandefilhodam\u00e3e | 18h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18632\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1431\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-scaled.jpg 2560w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-300x168.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-1024x573.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-768x429.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-1536x859.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-2048x1145.jpg 2048w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-1280x716.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/23-04-04_TeresaComCerteza_umgrandefilhodamae-e-TeresaComCerteza_MICRORESIDENCIA_221-600x335.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>Tom\u00e1s Marreiros (<strong>UmGrandeFilhoDaM\u00e3e<\/strong>), born on 20\/04\/1998, resides in Pombal, Leiria. He completed his Visual Arts degree at the Pombal Secondary School. He was a high-performance athlete in Athletics, specializing in pole vault, and competed for Atl\u00e9tico Clube de Vermoil and Sporting Clube de Braga. The arts have always fascinated him, and he appreciates how they can be worked in countless ways without any rules. In 2018, he moved to Caldas da Rainha to pursue a bachelor&#8217;s degree in Sound and Image at the School of Arts and Design, and he continued his studies for a Master&#8217;s degree in Sound and Image Arts in 2021, which he is currently completing. During his academic journey, his interests evolved. Today, he primarily works with sound. As a lover of amplified sounds, he seeks to create immersive and distorted environments that oscillate between the concrete and the abstract. He also has a taste for realizing visual narratives and scenarios where he can explore performing arts.<\/p>\n<p><strong>Teresa Sampaio<\/strong> (<strong>TeresaComCerteza<\/strong>), was born in Leiria in 1997. In 2020, she completed her Bachelor&#8217;s degree in Sound and Image at ESAD.Cr. She uses media as a means of expressing imperceptible realities, aiming to create immersive and unfamiliar environments for the viewer. Her current focus in her work is on exploring spectrums that are inaccessible to the human eye through microscopy and electromagnetic frequencies.<\/p>\n<p><strong>Concert TeresaComCerteza &amp; UmGrandeFilhoDaM\u00e3e<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18840-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/p7boMDbqwoy84wX\/download\/%5BTeresaComCerteza%20%26%20umgrandefilhodam%C3%A3e%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3?_=3\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/p7boMDbqwoy84wX\/download\/%5BTeresaComCerteza%20%26%20umgrandefilhodam%C3%A3e%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/p7boMDbqwoy84wX\/download\/%5BTeresaComCerteza%20%26%20umgrandefilhodam%C3%A3e%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Joana Guerra | 21h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18634\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1.png\" alt=\"\" width=\"3000\" height=\"1688\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1.png 3000w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-300x169.png 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-1024x576.png 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-768x432.png 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-1536x864.png 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-2048x1152.png 2048w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-1280x720.png 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/joana-guerra1-600x338.png 600w\" sizes=\"auto, (max-width: 3000px) 100vw, 3000px\" \/><\/p>\n<p><strong>Joana Guerra<\/strong>, cellist, singer, and composer, was born in Lisbon in 1983. After her academic training in cello, in 2009, she set out in search of new and different sounds that would align with a more personal musical language and her desire for musical experimentation. Since then, she has released three albums as part of her solo project, presenting it on significant national stages and festivals, as well as abroad in Spain, France, Belgium, Germany, the Netherlands, Brazil, S\u00e3o Tom\u00e9 and Pr\u00edncipe. She collaborates extensively in experimental music and free improvisation projects, including the Bande \u00e0 Part trio, a duet with Gil Dion\u00edsio, The Alvaret Ensemble, the spoken word group Tapete, Preto Mate, Lantana, the audiovisual project Concon, the ensemble inspired by Cornelius Cardew&#8217;s work &#8220;Tratado de Cardew,&#8221; and Asimov. She has also engaged in numerous other collaborations with artists like Joelle L\u00e9andre, Surma, Mark Alban Lotz, Helena Espvall, Mia Distonia, Yaw Tembe, Tiago Sousa, Mathilda, Scout Nibblet, Jo\u00e3o Ferro Martins. Joana Guerra is active in various artistic contexts as both a composer and performer, including dance collaborations with Madalena Victorino (Lis-B\u00fa, 2014, Esta\u00e7\u00e3o Terminal, 2016, Eva Poro, 2019), Marina Nabais (Na Aus\u00eancia da minha pele, 2017), Clara Andermatt (Parece que o mundo, 2018); cinema projects with Jo\u00e3o Botelho (Os Campos em Volta, 2015); and theater collaborations with the Jo\u00e3o Garcia Miguel Company (N\u00f3s Mat\u00e1mos o C\u00e3o Tinhoso, 2016, Romeu e Julieta, 2017).<\/p>\n<p><strong>Concert Joana Guerra<\/strong><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18840-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/feWYbdkzwo7Ro4p\/download\/%5BJOANA%20GUERRA%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3?_=4\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/feWYbdkzwo7Ro4p\/download\/%5BJOANA%20GUERRA%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/feWYbdkzwo7Ro4p\/download\/%5BJOANA%20GUERRA%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3<\/a><\/audio>\n<hr \/>\n<p><strong>Julius Gabriel | 22h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18630\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel.jpg\" alt=\"\" width=\"890\" height=\"592\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel.jpg 890w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel-300x200.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel-768x511.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/julius-gabriel-600x399.jpg 600w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/p>\n<p><strong>Julius Gabriel<\/strong> is a saxophonist whose work delves into the boundaries and intricacies of his instruments. He explores the dynamic interplay between corporeality, acoustics, transcendence, and hypnosis. His musical foundation is deeply rooted in improvisation, drawing inspiration from an eclectic spectrum of genres, including jazz, folk, classical, psychedelic, noise, minimalism, drone, and ambient music. As an enthusiastic soloist, he has cultivated various branches of solo performances, continually evolving his craft. In his acoustic solo concerts he immerses himself in a meditative manner within the unique spatial dimensions and resonances of each performance space. Alternatively, he crafts otherworldly soundscapes through electronic manipulation and delay loops, enthralling audiences at physical volumes. He also transforms the saxophone into a percussive instrument, meticulously capturing the mechanical sounds and elevating them to the forefront, resembling a drum machine or a percussion ensemble. Julius Gabriel&#8217;s musical odyssey is exemplified in several solo albums, a testament to his versatile and innovative approach. As a collaborator he co-founded the trance-inducing duo Paisiel with sound sculptor and percussionist Jo\u00e3o Pais Filipe, the dark roaming jazz group Ikizukuri with Gustavo Costa and Gon\u00e7alo Almeida, most recently reinforced by Susana Santos Silva on trumpet, the agitational avant-garde group Das Beh\u00e4lter,the psychedelic jazz noise quartet Blutiger Jupiter, and the reeds duo About Angels and Animals. He has been a member of the utopian beats, krautrock, jazz trance, noise collective The Dorf led by Jan Klare. He is a member of the Barry Guy Blue Shroud Band, which brings together 14 musicians with diverse expertise and backgrounds in baroque music, jazz, folk music, contemporary classical music and free improvisation, and has played with the London Jazz Composers Orchestra under Guy&#8217;s direction. Born and raised in East Berlin, he began his musical education at public music schools, further enriched by the underground club culture. He completed a BA in Jazz Performing Arts at Folkwang University of the Arts in Essen, with additional coursework in the Institute for Computer Music and Electronic Media and involvement in New Music ensemble projects. He received a scholarship abroad to Porto, Portugal and was artist in residence at the Indian Music Experience Museum in Bangalore, India.<\/p>\n<p><strong>Concert Julius Gabriel<\/strong><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18840-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/ALZqpRXgqmc44Ft\/download\/%5BJULIUS%20GABRIEL%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3?_=5\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/ALZqpRXgqmc44Ft\/download\/%5BJULIUS%20GABRIEL%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/ALZqpRXgqmc44Ft\/download\/%5BJULIUS%20GABRIEL%5D%20Concerto%20no%20SGGC%2020231014%20%5BEIRA%2012%5D.mp3<\/a><\/audio>\n<\/div>\n<\/div><\/div>\n\n<p>In between of conversations and concerts, the OSSO Sound Archive will be broadcasted. <strong>OSSA<\/strong> relies on audio donations from members of the collective and residents of <strong>EIRA<\/strong>, presenting itself as the intangible footprint of our sonic affinities.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Access the radio projects developed by the invited artists, researchers, and collectives for the Twelfth edition of EIRA here. Also, listen to their conversations with members of OSSO. In between of conversations and concerts, the OSSO Sound Archive will be broadcasted. OSSA relies on audio donations from members of the collective and residents of EIRA, presenting itself as the intangible [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12533,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18840","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=18840"}],"version-history":[{"count":11,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18840\/revisions"}],"predecessor-version":[{"id":21042,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18840\/revisions\/21042"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/12533"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=18840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}