{"id":18550,"date":"2023-10-04T12:35:37","date_gmt":"2023-10-04T12:35:37","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=18550"},"modified":"2024-08-12T13:04:27","modified_gmt":"2024-08-12T13:04:27","slug":"eira-10","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/eira\/eira-10\/","title":{"rendered":"EIRA #10"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 40px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69e09fad13ab5\" class=\"master-slider-parent msl ms-parent-id-144\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69e09fad13ab5\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" 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src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/EIRA10.1.png\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_3ab5 = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_3ab5.control('arrows'     ,{ autohide:true, overVideo:true  });\t\t\t\tmasterslider_3ab5.control('bullets'    ,{ autohide:false, overVideo:true, dir:'h', align:'bottom' , margin:20  });\n\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_3ab5.setup(\"MS69e09fad13ab5\", {\n\t\t\t\t\t\twidth           : 770,\n\t\t\t\t\t\theight          : 513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_3ab5 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p>Access here the radio projects developed by the artists, researchers, and invited collectives for the tenth edition of EIRA. Also, listen to their conversations with members of OSSO.<\/p>\n<hr \/>\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">TOM\u00c1S CUNHA FERREIRA<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18110\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-1280x804.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-600x377.jpg 600w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p><strong>Tom\u00e1s Cunha Ferreira<\/strong><br \/>\nThe work of <strong>Tom\u00e1s Cunha Ferreira<\/strong> (Lisbon, 1973) combines various mediums in an open and cross-border practice &#8211; each piece assumes itself as a prototype that can take on various forms, functioning as a possible score, notation, visual poem, emblem, pattern, painting, among others. In this sense, each work results in a condensed hybrid figure, whose interpretation is in constant transition between visual elements and rhythmic or sonic elements.<\/p>\n<p>In a 1965 text titled &#8216;Between Poetry And Painting,&#8217; the Benedictine monk and poet Dom Sylvester Hou\u00e9dard uses the terms logos and icon to refer more broadly to word and painting. Tracing a historical chronology of the relationships between logos and icon, from primitive artifacts to the 1960s, Dom Sylvester Hou\u00e9dard proposes terms such as &#8216;almost-painting,&#8217; &#8216;almost-word,&#8217; or even &#8216;almost-letter,&#8217; which serve as open and continually redefined programmatic hooks. The proposition of these composite terms is programmatic, and their premises seek to challenge the nature and existence of words and painting as distinct materials, proposing zones of free circulation and non-separation between text and image, between poetry and painting, between logos and icon. Like separated siblings at birth, logos and icon are rescued through this skewed genealogical tree elaborated by Hou\u00e9dard.<\/p>\n<p>Tom\u00e1s Cunha Ferreira lives and works in Lisbon.<\/p>\n<p>Radio program with <strong>Tom\u00e1s Cunha Ferreira<\/strong><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/kELCBLy27GJs3cg\/download\/%5BTomas%20Cunha%20Ferreira%5D%20programa%20radio%20%5BEIRA%2010%5D.mp3?_=1\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/kELCBLy27GJs3cg\/download\/%5BTomas%20Cunha%20Ferreira%5D%20programa%20radio%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/kELCBLy27GJs3cg\/download\/%5BTomas%20Cunha%20Ferreira%5D%20programa%20radio%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>more info<\/strong>:<br \/>\n<a href=\"http:\/\/tomas-cunha-ferreira.blogspot.com\/\" target=\"_blank\" rel=\"noopener\"><u>http:\/\/tomas-cunha-ferreira.blogspot.com<\/u>\/<\/a><br \/>\n<a href=\"https:\/\/tomascunhaferreira.bandcamp.com\/album\/vai-come-ar\" target=\"_blank\" rel=\"noopener\"><u>https:\/\/tomascunhaferreira.bandcamp.com\/album\/vai-come-ar<\/u><\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">BOCA palavras que alimentam<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17322\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Screenshot-2023-06-13-at-18.58.34.png\" alt=\"\" width=\"1252\" height=\"688\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Screenshot-2023-06-13-at-18.58.34.png 1252w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Screenshot-2023-06-13-at-18.58.34-300x165.png 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Screenshot-2023-06-13-at-18.58.34-1024x563.png 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Screenshot-2023-06-13-at-18.58.34-768x422.png 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Screenshot-2023-06-13-at-18.58.34-600x330.png 600w\" sizes=\"auto, (max-width: 1252px) 100vw, 1252px\" \/><\/p>\n<p><strong>Uma hist\u00f3ria da BOCA<\/strong><br \/>\nA brief sonic history of a publisher that was born 17 years ago to create audiobooks and has since fallen in love with working with sound and books. They enjoy working with the diversity of literary records and sound formats, valuing both traditional literature and authorial texts, popular poetry as well as poetry slam or experimental poetry, oral narration as well as theater, novels, or chronicles. They especially enjoy creating editions for children of all ages and whenever possible, they blend science and the arts, venturing into extra-literary and extra-sonic territories. They also engage in cultural programming and external production of books, audiobooks, and a variety of sound formats.<\/p>\n<hr \/>\n<p><strong>BOCA \u2013 palavras que alimentam<\/strong> is a publisher and producer that has been working since 2006 in the creation of books and audiobooks, educational resources, and a wide range of sound formats (from audio guides to sound installations or podcasts). They also engage in cultural programming in the areas of radio and shared reading\/listening experiences.<\/p>\n<p>A history about <strong>BOCA<\/strong><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/8SPnSg4QR3x7D4T\/download\/%5BBOCA%5D%20Uma%20historia%20da%20BOCA%20%5BEIRA%2010%5D.mp3?_=2\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/8SPnSg4QR3x7D4T\/download\/%5BBOCA%5D%20Uma%20historia%20da%20BOCA%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/8SPnSg4QR3x7D4T\/download\/%5BBOCA%5D%20Uma%20historia%20da%20BOCA%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>more info<\/strong>: <a href=\"https:\/\/www.boca.pt\/\" target=\"_blank\" rel=\"noopener\"><u>https:\/\/www.boca.pt\/<\/u><\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">ENEIDA LOMBE TAVARES<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17312\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes.jpg\" alt=\"\" width=\"2000\" height=\"2232\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes.jpg 2000w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-269x300.jpg 269w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-918x1024.jpg 918w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-768x857.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-1376x1536.jpg 1376w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-1835x2048.jpg 1835w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-1280x1428.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/Profile-Eneida-L.-Tavares-Walk_Talk21_WIPRara-Image-Credits-Mariana-Lopes-600x670.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><br \/>\nPhoto: Mariana Lopes<\/p>\n<p>The artist <strong>Eneida Lombe Tavares<\/strong> shares with us, in three broadcast moments, a program she called <strong>&#8220;Paisagem Contada&#8221;<\/strong>, a document about family and territorial memory.<\/p>\n<hr \/>\n<p><strong>Eneida Lombe Tavares<\/strong> (Barreiro, Portugal) completed her master&#8217;s degree in Product Design at ESAD.CR in 2014. She currently works in her studio in Caldas da Rainha. Additionally, she co-founded <strong>Studio Mulato<\/strong> with Jorge Carreira.<\/p>\n<p>She is also a curator and does the dishes at the DOC Association.<\/p>\n<p>Paisagem contada I<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/6LSLw84FCD587MQ\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20I%20%5BEIRA%2010%5D.mp3?_=3\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/6LSLw84FCD587MQ\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20I%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/6LSLw84FCD587MQ\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20I%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\nPaisagem contada II<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/Z6eb5jJbcWyNYXS\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20II%20%5BEIRA%2010%5D.mp3?_=4\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/Z6eb5jJbcWyNYXS\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20II%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/Z6eb5jJbcWyNYXS\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20II%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\nPaisagem contada III<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/H5RpxQSfXLxELsd\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20III%20%5BEIRA%2010%5D.mp3?_=5\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/H5RpxQSfXLxELsd\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20III%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/H5RpxQSfXLxELsd\/download\/%5BEneida%20Tavares%5D%20Paisagem%20contada%20III%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>more info<\/strong>: <a href=\"https:\/\/eneidatavares.pt\/\" target=\"_blank\" rel=\"noopener\"><u>https:\/\/eneidatavares.pt\/<\/u><\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONCERTOS | 17.06.23 | S\u00ea tu tudo e Tom\u00e1s Cunha Ferreira<\/div><div class=\"wpb_toggle_content\">\n<p>Live music at <strong>OSSO<\/strong>.These two concerts will be broadcast on FM 89.6 MHz (S\u00e3o Greg\u00f3rio and surrounding areas) and streamed on this player.<\/p>\n<hr \/>\n<p><strong>S\u00ca TU TODO | 18h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17320\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-scaled.jpg 2560w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-300x200.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-1024x683.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-768x512.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-1536x1024.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-2048x1365.jpg 2048w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-1280x853.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/06\/2.Forum-Liberdade-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>N\u00e3o digas nada que tu creias \/ fala como a cigarra canta \/ nada iguala o ser o som pequeno entre os rumores \/ com que este mundo encanta \/ a vida \u00e9 terra e o vive-la \u00e9 lodo \/ tudo \u00e9 maneira, diferen\u00e7a ou modo \/ em tudo quanto fa\u00e7as s\u00ea s\u00f3 tu \/ em tudo quanto fa\u00e7as s\u00ea tudo todo.<\/p>\n<p><strong>Joz\u00e9 Sabugo<\/strong> &#8211; adufe, reco-reco, declamation, and objects<br \/>\n<strong>Andr\u00e9 Fausto<\/strong> &#8211; voice and acoustic guitar<br \/>\n<strong>Sunil Pariyar<\/strong> &#8211; flute, djemb\u00e9, and adufe<\/p>\n<hr \/>\n<p><strong>S\u00ea tu todo<\/strong> began with the meeting of two Azoreans in Sintra. Then came musicians from various parts of the world, along with poets, acrobats, technicians, drawings, sounds, faces, moments, and encounters. We passed through places as diverse as the Diferen\u00e7a Art Gallery, Sociedade Uni\u00e3o Sintrense, Ant\u00f3nio Silva Municipal Auditorium &#8211; Teatro Mosca, Casa de Sa\u00fade do Telhal, F\u00f3rum Liberdade e Pensamento Cr\u00edtico, Lagoa Azul, Cooperativa Quinta dos 7 Nomes, Clube Recreativo Praia das Ma\u00e7\u00e3s, Casa de Teatro de Sintra, and Estabelecimento Prisional de Lisboa. In each of these places, someone broke the boundary between the stage and the audience. We received gifts in the form of song, movement, and poetry. New words merged in sharing with the ones we brought with us. Traditional popular Portuguese and Nepalese poetry, Fernando Pessoa, Maria Almira Medina, and Ibn Mud\u00e9jar.<\/p>\n<p><strong>S\u00ea tu todo <\/strong>concert, live from OSSO.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/KZBKKWC9JtTx2Jm\/download\/%5BSe%20tu%20todo%5D%20Concerto%20na%20Oficina%2020230617%20%5BEIRA%2010%5D.mp3?_=6\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/KZBKKWC9JtTx2Jm\/download\/%5BSe%20tu%20todo%5D%20Concerto%20na%20Oficina%2020230617%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/KZBKKWC9JtTx2Jm\/download\/%5BSe%20tu%20todo%5D%20Concerto%20na%20Oficina%2020230617%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>more info<\/strong>: <a href=\"http:\/\/setutodo.weebly.com\" target=\"_blank\" rel=\"noopener\"><u>setutodo.weebly.com<\/u><\/a><\/p>\n<hr \/>\n<p><strong>TOM\u00c1S CUNHA FERREIRA | 21h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18110\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-1280x804.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/1214-600x377.jpg 600w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p><strong>Tom\u00e1s Cunha Ferreira<\/strong><br \/>\nThe work of <strong>Tom\u00e1s Cunha Ferreira<\/strong> (Lisbon, 1973) combines various mediums in an open and cross-border practice &#8211; each piece assumes itself as a prototype that can take on various forms, functioning as a possible score, notation, visual poem, emblem, pattern, painting, among others. In this sense, each work results in a condensed hybrid figure, whose interpretation is in constant transition between visual elements and rhythmic or sonic elements.<\/p>\n<p>In a 1965 text titled &#8216;Between Poetry And Painting,&#8217; the Benedictine monk and poet Dom Sylvester Hou\u00e9dard uses the terms logos and icon to refer more broadly to word and painting. Tracing a historical chronology of the relationships between logos and icon, from primitive artifacts to the 1960s, Dom Sylvester Hou\u00e9dard proposes terms such as &#8216;almost-painting,&#8217; &#8216;almost-word,&#8217; or even &#8216;almost-letter,&#8217; which serve as open and continually redefined programmatic hooks. The proposition of these composite terms is programmatic, and their premises seek to challenge the nature and existence of words and painting as distinct materials, proposing zones of free circulation and non-separation between text and image, between poetry and painting, between logos and icon. Like separated siblings at birth, logos and icon are rescued through this skewed genealogical tree elaborated by Hou\u00e9dard.<\/p>\n<p>Tom\u00e1s Cunha Ferreira lives and works in Lisbon.<\/p>\n<p><strong>Tom\u00e1s Cunha Ferreira <\/strong>concert, live from OSSO.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/afSKF2Co8CEjiQQ\/download\/%5BTomas%20Cunha%20Ferreira%5D%20Concerto%20na%20Oficina%2020230617%20%5BEIRA%2010%5D.mp3?_=7\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/afSKF2Co8CEjiQQ\/download\/%5BTomas%20Cunha%20Ferreira%5D%20Concerto%20na%20Oficina%2020230617%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/afSKF2Co8CEjiQQ\/download\/%5BTomas%20Cunha%20Ferreira%5D%20Concerto%20na%20Oficina%2020230617%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>more info<\/strong>:<br \/>\n<a href=\"http:\/\/tomas-cunha-ferreira.blogspot.com\/\" target=\"_blank\" rel=\"noopener\"><u>http:\/\/tomas-cunha-ferreira.blogspot.com<\/u>\/<\/a><br \/>\n<a href=\"https:\/\/tomascunhaferreira.bandcamp.com\/album\/vai-come-ar\" target=\"_blank\" rel=\"noopener\"><u>https:\/\/tomascunhaferreira.bandcamp.com\/album\/vai-come-ar<\/u><\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONVERSATIONS<\/div><div class=\"wpb_toggle_content\">\n<p><strong>Rita Thomaz<\/strong> and <strong>Liliana Ferreira<\/strong> in conversation with <strong>Esperan\u00e7a Alves<\/strong>.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/3oW7t5EJ9tqHRZj\/download\/%5Bconversa%5D%20Esperanca%20Alves%20RThomaz%20LFerreira%20%5BEIRA%2010%5D.mp3?_=8\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/3oW7t5EJ9tqHRZj\/download\/%5Bconversa%5D%20Esperanca%20Alves%20RThomaz%20LFerreira%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/3oW7t5EJ9tqHRZj\/download\/%5Bconversa%5D%20Esperanca%20Alves%20RThomaz%20LFerreira%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>Osso<\/strong> in conversation with <strong>Sara Mealha<\/strong>, <strong>Francisca Carvalho<\/strong>, and <strong>Tom\u00e1s Cunha Ferreira<\/strong>.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/meBDFZjNGKiyxdi\/download\/%5Bconversa%5D%20Rita%20Thomaz%20Sara%20Mealha%20Francisca%20Carvalho%20TSantos%20RJacinto%20TCFerreira%20%5BEIRA%2010%5D.mp3?_=9\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/meBDFZjNGKiyxdi\/download\/%5Bconversa%5D%20Rita%20Thomaz%20Sara%20Mealha%20Francisca%20Carvalho%20TSantos%20RJacinto%20TCFerreira%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/meBDFZjNGKiyxdi\/download\/%5Bconversa%5D%20Rita%20Thomaz%20Sara%20Mealha%20Francisca%20Carvalho%20TSantos%20RJacinto%20TCFerreira%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<p><strong>Oriana Alves<\/strong> and <strong>Nuno Mor\u00e3o<\/strong> talking about <strong>BOCA.<\/strong><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18550-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/KnyLxPmj3CE5qH8\/download\/%5Bconversa%5D%20Oriana%20Alves%20NMorao%20%5BEIRA%2010%5D.mp3?_=10\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/KnyLxPmj3CE5qH8\/download\/%5Bconversa%5D%20Oriana%20Alves%20NMorao%20%5BEIRA%2010%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/KnyLxPmj3CE5qH8\/download\/%5Bconversa%5D%20Oriana%20Alves%20NMorao%20%5BEIRA%2010%5D.mp3<\/a><\/audio>\n<\/div>\n<\/div><\/div>\n\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Access here the radio projects developed by the artists, researchers, and invited collectives for the tenth edition of EIRA. Also, listen to their conversations with members of OSSO.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12533,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18550","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=18550"}],"version-history":[{"count":4,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18550\/revisions"}],"predecessor-version":[{"id":20592,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18550\/revisions\/20592"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/12533"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=18550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}