{"id":18487,"date":"2023-10-03T08:59:21","date_gmt":"2023-10-03T08:59:21","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=18487"},"modified":"2024-08-12T12:55:50","modified_gmt":"2024-08-12T12:55:50","slug":"eira-9","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/eira\/eira-9\/","title":{"rendered":"EIRA #9"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 40px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69fd356106afd\" class=\"master-slider-parent msl ms-parent-id-143\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69fd356106afd\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" 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src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/eira9.8.png\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/10\/eira9.9.png\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_6afd = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_6afd.control('arrows'     ,{ autohide:true, overVideo:true  });\t\t\t\tmasterslider_6afd.control('bullets'    ,{ autohide:false, overVideo:true, dir:'h', align:'bottom' , margin:20  });\n\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_6afd.setup(\"MS69fd356106afd\", {\n\t\t\t\t\t\twidth           : 770,\n\t\t\t\t\t\theight          : 513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_6afd );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p>Access the radio projects developed by artists, researchers and collectives invited to this ninth edition of EIRA. Also listen to their conversations with members of OSSO.<\/p>\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">JO\u00c3O PIMENTA GOMES<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17268\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes.png\" alt=\"\" width=\"1890\" height=\"1512\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes.png 1890w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes-300x240.png 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes-1024x819.png 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes-768x614.png 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes-1536x1229.png 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes-1280x1024.png 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/jpgomes-600x480.png 600w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/p>\n<p><strong>Jo\u00e3o Pimenta Gomes<\/strong> (born in Lisbon, 1989) is a visual artist and musician who lives and works in Lisbon. In his artistic practice, he explores references mainly related to music and delves into the relationships between space and the body through the manipulation of modular synthesizers, images, videos, and objects, creating encounters between the analog and the digital, the sensory and the conceptual. His work also falls within the realm of performance, where the artist expands these relationships and encounters, involving the viewer as well. When viewers interact with his pieces, they observe the process of creating the musical idea, making the body &#8211; in its approach, distance, mutation, or shaping &#8211; a fundamental element of its existence.<\/p>\n<p>Some of his notable exhibitions include the group exhibition Esf\u00edngico Frontal (Curated by Germano Dush\u00e1), Mendes Wood DM Gallery, S\u00e3o Paulo, Brazil, 2023; Poly-Free, MAAT \u2013 Museum of Art, Architecture, and Technology, Lisbon, 2022; Clouds, Kunstraum Botschaft, Berlin, 2021; Trabalho de Inverno, Quadrado Azul Gallery, Lisbon, 2021, as a member of the group Mat\u00e9ria Simples, with whom he also created A Ilha de Calipso, Appleton Garage, Lisbon, 2020; and Micro Resson\u00e2ncias (Appleton Box, Lisbon, 2020). Among his recent performances, notable ones include Glissando II, Mendes Wood DM Gallery, S\u00e3o Paulo, Brazil, 2023; Poly Free &#8211; Reamping, MAAT, Lisbon, 2022; Alto Mar \/ Metavox, Pal\u00e1cio Nacional de Bel\u00e9m, Lisbon, 2022; Doppelganger III, Sound &amp; Future, Plataforma Rev\u00f3lver, Lisbon, 2022; Doppelganger VII, Lux Fr\u00e1gil, Lisbon, 2022.<\/p>\n<p>Radio program with <strong>Jo\u00e3o Pimenta Gomes<\/strong>.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18487-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/qSR7WLe28KQSWfH\/download\/%5BJo%C3%A3o%20Pimenta%20Gomes%5D%20programa%20radio%20%5BEIRA%209%5D.mp3?_=1\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/qSR7WLe28KQSWfH\/download\/%5BJo%C3%A3o%20Pimenta%20Gomes%5D%20programa%20radio%20%5BEIRA%209%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/qSR7WLe28KQSWfH\/download\/%5BJo%C3%A3o%20Pimenta%20Gomes%5D%20programa%20radio%20%5BEIRA%209%5D.mp3<\/a><\/audio>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CR\u00d3NICA ELECTR\u00d3NICA<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17262\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9.jpg\" alt=\"\" width=\"1440\" height=\"1000\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9.jpg 1440w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9-300x208.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9-1024x711.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9-768x533.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9-1280x889.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Cronica-Electronica-EIRA-9-600x417.jpg 600w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p><strong>Cr\u00f3nica<\/strong> is a publishing house dedicated to experimental, computational music, and sound art, founded in 2003 in Porto. Cr\u00f3nica serves as a platform that showcases works from creators of various nationalities and diverse practices. Their catalog includes nearly two hundred releases in various formats, ranging from CDs and cassettes to books, art editions, and purely digital formats. Over the years, they have organized multiple events, radio programs, and a podcast that was active for over a decade. All these activities are part of an experimental curatorial and editorial practice led by Miguel Carvalhais and Pedro Tudela, who have been collaborating on the project @c since 2000. In this collaboration, they have developed performances, compositions, and sound installations. Pedro Tudela is a visual and sound artist, as well as an assistant professor in the Department of Fine Arts at the Faculty of Fine Arts of the University of Porto (FBAUP). Miguel Carvalhais is a designer, musician, and associate professor in the Department of Design at FBAUP. Cr\u00f3nica is an extension of this artistic collaboration, which frequently intersects various creative disciplines.<\/p>\n<p><u><a href=\"http:\/\/www.cronicaelectronica.org\" target=\"_blank\" rel=\"noopener\">http:\/\/www.cronicaelectronica.org<\/a><\/u><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONCERTS | Mat\u00e9ria Simples and Tabula Sonorum<\/div><div class=\"wpb_toggle_content\">\n<p>Live music at <strong>OSSO<\/strong>. These two concerts will be broadcasted on <strong>FM 89.6 MHz<\/strong> (S\u00e3o Greg\u00f3rio and surrounding areas) and streaming on this player.<\/p>\n<hr \/>\n<p><strong>T\u00e2maras by MAT\u00c9RIA SIMPLES | 19h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17260\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-scaled.jpg 2560w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-300x200.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-1024x683.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-768x512.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-1536x1024.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-2048x1365.jpg 2048w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-1280x853.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Materia-Simples-EIRA-9-600x400.jpg 600w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>&#8220;<strong>T\u00e2maras<\/strong>&#8221; is the name of the performative piece by the artist group <strong>MAT\u00c9RIA SIMPLES<\/strong>, in residence between March and April, centered around seven variations of the ancient instrument, Sistrum.<\/p>\n<p>The performative piece, which was the central work of this residency period at OSSO, revives the sound of these ancient instruments, articulating them in brief polyrhythmic cycles on the threshold of music and acoustic experience. These cycles overlap and shimmer over another sonic space with a different density and quality (pre-recorded sounds, violin, mellotron, synthesizer, etc.). Thus, two sonic movements converge.<\/p>\n<p><strong>MAT\u00c9RIA SIMPLES:<\/strong><br \/>\n<strong>Catarina Silva<\/strong>: Sistrum Construction.<br \/>\n<strong>David Maranha<\/strong>: Violin, Sistrum, Recordings<br \/>\n<strong>Jo\u00e3o Pimenta Gomes<\/strong>: Mellotron, Sistrum.<br \/>\n<strong>Pedro Tropa<\/strong>: Sistrum, Synthesizer, and Recordings.<br \/>\n<strong>Teresa Santos<\/strong>: Sistrum, Recordings, and Photographic Projection.<\/p>\n<p><strong>Materia Simples<\/strong> concert, live from OSSO.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18487-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/B37Sa5D67TP4X25\/download\/%5BMateria%20Simples%5D%20Concerto%20na%20Adega%2020230415%20%5BEIRA%209%5D.mp3?_=2\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/B37Sa5D67TP4X25\/download\/%5BMateria%20Simples%5D%20Concerto%20na%20Adega%2020230415%20%5BEIRA%209%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/B37Sa5D67TP4X25\/download\/%5BMateria%20Simples%5D%20Concerto%20na%20Adega%2020230415%20%5BEIRA%209%5D.mp3<\/a><\/audio>\n<hr \/>\n<p><strong>Tabula Sonorum | 21h00 <\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17264\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Tabula-Sonorum-EIRA-9.jpg\" alt=\"\" width=\"1070\" height=\"713\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Tabula-Sonorum-EIRA-9.jpg 1070w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Tabula-Sonorum-EIRA-9-300x200.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Tabula-Sonorum-EIRA-9-1024x682.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Tabula-Sonorum-EIRA-9-768x512.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/04\/Tabula-Sonorum-EIRA-9-600x400.jpg 600w\" sizes=\"auto, (max-width: 1070px) 100vw, 1070px\" \/><\/p>\n<p><strong>Tabula Sonorum Duo<\/strong><br \/>\n<strong>Bart van Dongen<\/strong> &#8211; piano<br \/>\n<strong>Gon\u00e7alo Almeida<\/strong>&#8211; Double Bass<\/p>\n<p>Portuguese double bassist <strong>Gon\u00e7alo Almeida<\/strong>, based in the Netherlands, joins forces with Dutch pianist <strong>Bart van Dongen<\/strong> to form the <strong>duo Tabula Sonorum<\/strong>. In this project, where improvised music is strongly influenced by minimalism, the piano and double bass are explored through a wide range of preparations, challenging the conventional use of the instruments and creating a highly distinctive musical sequence, almost hypnotic in nature.<\/p>\n<p><strong>Tabula Sonorum <\/strong>concert, live from OSSO.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18487-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/Z6ffKnxNW3CyoMT\/download\/%5BTabula%20Sonorum%5D%20Concerto%20no%201%20andar%2020230415%20%5BEIRA%209%5D.mp3?_=3\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/Z6ffKnxNW3CyoMT\/download\/%5BTabula%20Sonorum%5D%20Concerto%20no%201%20andar%2020230415%20%5BEIRA%209%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/Z6ffKnxNW3CyoMT\/download\/%5BTabula%20Sonorum%5D%20Concerto%20no%201%20andar%2020230415%20%5BEIRA%209%5D.mp3<\/a><\/audio>\n<p>Mais info: <a href=\"https:\/\/elnegocito.bandcamp.com\/album\/tabula-sonorum\" target=\"_blank\" rel=\"noopener\"><u>https:\/\/elnegocito.bandcamp.com\/album\/tabula-sonorum<\/u><\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONVERSATIONS<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18274 size-full\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-scaled.jpg 2560w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-300x225.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-1024x768.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-768x576.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-1536x1152.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-2048x1536.jpg 2048w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-94x70.jpg 94w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-600x450.jpg 600w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-900x675.jpg 900w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Centro-de-Artes-CR-EIRA-9-1280x960.jpg 1280w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>OSSO in conversation with <strong>Pedro Tudela <\/strong>and<strong> Miguel Carvalhais <\/strong>from<strong> Cr\u00f3nica Electr\u00f3nica<\/strong>.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18487-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/MaySYDYqE95n98S\/download\/%5BCronica%20Electronica%5D%20conversa%20MCarvalhais%20PTudela%20RJacinto%20NMorao%20+%20programa%20arquivo%2020230411%20%5BEIRA%209%5D.mp3?_=4\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/MaySYDYqE95n98S\/download\/%5BCronica%20Electronica%5D%20conversa%20MCarvalhais%20PTudela%20RJacinto%20NMorao%20+%20programa%20arquivo%2020230411%20%5BEIRA%209%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/MaySYDYqE95n98S\/download\/%5BCronica%20Electronica%5D%20conversa%20MCarvalhais%20PTudela%20RJacinto%20NMorao%20+%20programa%20arquivo%2020230411%20%5BEIRA%209%5D.mp3<\/a><\/audio>\n<p>OSSO in conversation with <strong>Materia Simples<\/strong>.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18487-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/jGemri2eWmfHdpK\/download\/%5Bconversa%5D%20Materia%20Simples%20RJacinto%20NMorao%20%5BEIRA%209%5D.mp3?_=5\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/jGemri2eWmfHdpK\/download\/%5Bconversa%5D%20Materia%20Simples%20RJacinto%20NMorao%20%5BEIRA%209%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/jGemri2eWmfHdpK\/download\/%5Bconversa%5D%20Materia%20Simples%20RJacinto%20NMorao%20%5BEIRA%209%5D.mp3<\/a><\/audio>\n<p>OSSO in conversation with the director of Centro de Artes das Caldas da Rainha, <strong>Jos\u00e9 Antunes<\/strong>.<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-18487-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cloud.osso.pt\/index.php\/s\/34MeP69jPx7LaFB\/download\/%5Bconversa%5D%20JAntunes%20RJacinto%20NMorao%20%5BEIRA%209%5D.mp3?_=6\" \/><a href=\"https:\/\/cloud.osso.pt\/index.php\/s\/34MeP69jPx7LaFB\/download\/%5Bconversa%5D%20JAntunes%20RJacinto%20NMorao%20%5BEIRA%209%5D.mp3\">https:\/\/cloud.osso.pt\/index.php\/s\/34MeP69jPx7LaFB\/download\/%5Bconversa%5D%20JAntunes%20RJacinto%20NMorao%20%5BEIRA%209%5D.mp3<\/a><\/audio>\n<\/div>\n<\/div><\/div>\n\n<p><em>\u00a0<\/em><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Access the radio projects developed by artists, researchers and collectives invited to this ninth edition of EIRA. Also listen to their conversations with members of OSSO. \u00a0<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12533,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18487","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=18487"}],"version-history":[{"count":7,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18487\/revisions"}],"predecessor-version":[{"id":20589,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18487\/revisions\/20589"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/12533"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=18487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}