{"id":18484,"date":"2023-10-03T08:51:59","date_gmt":"2023-10-03T08:51:59","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=18484"},"modified":"2023-11-16T14:07:50","modified_gmt":"2023-11-16T14:07:50","slug":"eira-8","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/eira\/eira-8\/","title":{"rendered":"EIRA #8"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 0px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69e16ba4260ea\" class=\"master-slider-parent msl ms-parent-id-142\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69e16ba4260ea\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" 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513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_60ea );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p>Access the radio projects developed by artists, researchers and collectives invited to this eighth edition of EIRA. Also listen to their conversations with members of OSSO.<\/p>\n<hr>\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">SONOSCOPIA<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18250 size-full\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8.jpg\" alt=\"\" width=\"1600\" height=\"900\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8.jpg 1600w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8-300x169.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8-1024x576.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8-768x432.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8-1536x864.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8-1280x720.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/SONOSCOPIA-EIRA-8-600x338.jpg 600w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/p>\n<p>The collective <strong>Sonoscopia<\/strong>, as a <em>resident archive<\/em> in this edition of EIRA, will present a significant portion of its sound editions and research, the result of continuous work that has been developed over the past decade. Alongside the remembrance of this journey, we will also spend a few days in residence at OSSO, where we will develop new sound creations based on the less explored areas of our recent archive.<\/p>\n<p>Conversation between Ricardo Jacinto and Gustavo Costa | 16.02.23<br \/>\n<div class=\"su-audio\" data-id=\"su_audio_player_69e16ba426fc8\" data-audio=\"https:\/\/cloud.osso.pt\/index.php\/s\/J5LirXgFETinwAb\/download\/%5Bconversa%5D%20Gustavo%20Costa%20RJacinto%20%5BEIRA%208%5D.mp3\" data-swf=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/shortcodes-ultimate\/vendor\/jplayer\/jplayer.swf\" data-autoplay=\"no\" data-loop=\"no\" style=\"\"><div id=\"su_audio_player_69e16ba426fc8\" class=\"jp-jplayer\"><\/div><div id=\"su_audio_player_69e16ba426fc8_container\" class=\"jp-audio\"><div class=\"jp-type-single\"><div class=\"jp-gui jp-interface\"><div class=\"jp-controls\"><span class=\"jp-play\"><\/span><span class=\"jp-pause\"><\/span><span class=\"jp-stop\"><\/span><span class=\"jp-mute\"><\/span><span class=\"jp-unmute\"><\/span><span class=\"jp-volume-max\"><\/span><\/div><div class=\"jp-progress\"><div class=\"jp-seek-bar\"><div class=\"jp-play-bar\"><\/div><\/div><\/div><div class=\"jp-volume-bar\"><div class=\"jp-volume-bar-value\"><\/div><\/div><div class=\"jp-current-time\"><\/div><div class=\"jp-duration\"><\/div><\/div><div class=\"jp-title\"><\/div><\/div><\/div><\/div>\n<hr>\n<p><strong>Sonoscopia<\/strong> positions itself as a space for reflection and creation, where the convergence of different ways of thinking and acting stands out as one of its main strengths. Over these last few years, we have made an effort to create a space where various artists related to experimental, improvised, and electroacoustic music can exchange ideas and develop consistent work in a physical space that provides worthy technical and human conditions. We believe that this dynamic not only allows Sonoscopia&#8217;s creative collective to evolve but also enables the entire framework of collaboration with local and national creators to be properly established within an international network of creators. We aim to create a free space where people can feel a part of Sonoscopia based on their abilities, within the context of the Sonoscopia space\/association\/collective\/project. We want people to come to Sonoscopia, attend our events, be included in our projects, and feel that they are a part of Sonoscopia.<\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">SUSE RIBEIRO<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18240 size-full\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Suse-Ribeiro-EIRA-8.jpeg\" alt=\"\" width=\"578\" height=\"385\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Suse-Ribeiro-EIRA-8.jpeg 578w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/Suse-Ribeiro-EIRA-8-300x200.jpeg 300w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><\/p>\n<p>In this edition of EIRA, <strong>Suse Ribeiro<\/strong> presents an eclectic selection of various works that intersect and traverse the diverse universes where she has contributed by playing, producing, or spatializing \u2014 in concerts, installations, documentaries, or theater and dance pieces. She also introduces some regular partners and projects with whom she has had the privilege of learning, sharing, and making music.<\/p>\n<hr>\n<p><strong>Suse Ribeiro<\/strong>, Musician, sound designer, and music producer. She began her career in classical music, playing for many years in various orchestras and collaborating with various conductors such as Reinbert de Leeuw, Marc Tardue, Michael Zilm, Peter Rundel, among many others. She studied orchestration, percussion, orchestra conducting, and music production. She works in the field of sound spatialization as a means and tool for artistic performance. In recent years, she has developed work as a music producer in the fields of music, cinema, dance, and theater. She frequently collaborates or has collaborated with visual artists, musicians, and companies as diverse as Jo\u00e3o Onofre, Ictus Ensemble, Remix Ensemble, Drumming GP, Companhia Olga Roriz, Rosas Dance Company, Warpaint, and Peter Murphy, among others. Recently, she arranged and directed the ensemble for the circus band at the Coliseum (2021). Currently, she creates and researches sound design with <i>Ambisonics<\/i> and <i>Dolby Atmos<\/i> technology. She founded the label <i>Atmus<\/i> and performs with various contemporary music groups in the field of electroacoustic music. She produces records in various musical styles, including contemporary classical music, jazz, and pop-rock. She records both in the studio and live.<\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONCERTS | Eleonor Picas, Jo\u00e3o Almeida<\/div><div class=\"wpb_toggle_content\">\n<p>Live music at <strong>OSSO<\/strong>. This concert is broadcasted on <strong>FM 89.6 MHz<\/strong> (S\u00e3o Greg\u00f3rio and surrounding areas) and streaming on this player.<\/p>\n<hr>\n<p><strong>Eleonor Picas | 18h<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18020 size-full\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102-1280x804.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/102-600x377.jpg 600w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p>Eleonor Picas\u00b4s concert live at OSSO | 18.02.23<br \/>\n<div class=\"su-audio\" data-id=\"su_audio_player_69e16ba427239\" data-audio=\"https:\/\/cloud.osso.pt\/index.php\/s\/MYsLSy8nPjpoHAa\/download\/%5BEleanor%20Picas%5D%20Concerto%20na%20Adega%2020230218%20%5BEIRA%208%5D.mp3\" data-swf=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/shortcodes-ultimate\/vendor\/jplayer\/jplayer.swf\" data-autoplay=\"no\" data-loop=\"no\" style=\"\"><div id=\"su_audio_player_69e16ba427239\" class=\"jp-jplayer\"><\/div><div id=\"su_audio_player_69e16ba427239_container\" class=\"jp-audio\"><div class=\"jp-type-single\"><div class=\"jp-gui jp-interface\"><div class=\"jp-controls\"><span class=\"jp-play\"><\/span><span class=\"jp-pause\"><\/span><span class=\"jp-stop\"><\/span><span class=\"jp-mute\"><\/span><span class=\"jp-unmute\"><\/span><span class=\"jp-volume-max\"><\/span><\/div><div class=\"jp-progress\"><div class=\"jp-seek-bar\"><div class=\"jp-play-bar\"><\/div><\/div><\/div><div class=\"jp-volume-bar\"><div class=\"jp-volume-bar-value\"><\/div><\/div><div class=\"jp-current-time\"><\/div><div class=\"jp-duration\"><\/div><\/div><div class=\"jp-title\"><\/div><\/div><\/div><\/div>\n<p><strong>Eleonor Picas<\/strong> studied at the Porto Music Conservatory (with Professor \u00c1urea Guerner) and pursued higher education at the Higher Music Conservatory of Madrid (with Professor Maria Rosa Calvo Manzano). She has worked with other teachers in masterclasses, such as Jeuan Jones, Josef Molnar, Stefanie Manzo, and Erika Wadenburg.<\/p>\n<p>She has taught at various music schools and established harp classes at the Music Conservatories of Coimbra, Braga, and Aveiro. Currently, she is a professor at the Calouste Gulbenkian Music Conservatory (Braga), the Bomfim Conservatory (Braga), and Bando dos Gambozinos (Porto).<\/p>\n<p>Eleonor has participated in several orchestra projects, including the Gulbenkian Orchestra, Porto Casa da M\u00fasica Symphony Orchestra, Orquestra das Beiras e do Norte, and Guimar\u00e3es Orchestra, as well as youth and academic orchestras such as the ESMAE Orchestra of Porto, Orchestra of the Professional School of Viana do Castelo, and Orchestra of Vale do Ave and Espinho, and the University of Minho Orchestra. She has recorded with various musicians and groups, ranging from pop and rock to jazz, including Vai de Roda, Zoe, Gnomon, and Lu\u00edsa Sobral. She recorded an album and performed a show titled &#8220;20 Poemas de Amor e Um Desesperado&#8221; with the singer Maria Jo\u00e3o at the Teatro S\u00e3o Lu\u00eds. Currently, she plays in the Harawi Ensemble, a classical music group from Braga, and is a member of Medusa Unit, with whom she performed at Zigurfest in the summer. She also performs with the Space Ensemble, presenting various film programs across the country. Eleonor has collaborated with the band Tr\u00eas Tristes Tigres. She completed the 4th Animators Course at Casa da M\u00fasica, performing several times in educational concerts organized by Casa da M\u00fasica. She also organized &#8220;Concertos para Pequeninos&#8221; in Vila do Conde monthly for three years and served as the musical director for the project &#8220;Quem tem medo?&#8221; (Who&#8217;s Afraid?), working with a group of young people from the Roma community at the Mosteiro de Tib\u00e3es, where a musical project was developed with performances at Theatro Circo and the Museu dos Biscainhos. Eleonor also developed a community art project with the Lar da Funda\u00e7\u00e3o Ant\u00f3nio Joaquim Gomes da Cunha.<\/p>\n<hr>\n<p><strong>Jo\u00e3o Almeida | 21h<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18018 size-full\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101-1280x804.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/101-600x377.jpg 600w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p>Jo\u00e3o Almeida \u00b4s concert live at OSSO | 18.02.23<br \/>\n<div class=\"su-audio\" data-id=\"su_audio_player_69e16ba4272ba\" data-audio=\"https:\/\/cloud.osso.pt\/index.php\/s\/Wf2i5kgwsK5ZdJB\/download\/%5BJo%C3%A3o%20Almeida%5D%20Concerto%20na%20Adega%2020230218%20%5BEIRA%208%5D.mp3\" data-swf=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/shortcodes-ultimate\/vendor\/jplayer\/jplayer.swf\" data-autoplay=\"no\" data-loop=\"no\" style=\"\"><div id=\"su_audio_player_69e16ba4272ba\" class=\"jp-jplayer\"><\/div><div id=\"su_audio_player_69e16ba4272ba_container\" class=\"jp-audio\"><div class=\"jp-type-single\"><div class=\"jp-gui jp-interface\"><div class=\"jp-controls\"><span class=\"jp-play\"><\/span><span class=\"jp-pause\"><\/span><span class=\"jp-stop\"><\/span><span class=\"jp-mute\"><\/span><span class=\"jp-unmute\"><\/span><span class=\"jp-volume-max\"><\/span><\/div><div class=\"jp-progress\"><div class=\"jp-seek-bar\"><div class=\"jp-play-bar\"><\/div><\/div><\/div><div class=\"jp-volume-bar\"><div class=\"jp-volume-bar-value\"><\/div><\/div><div class=\"jp-current-time\"><\/div><div class=\"jp-duration\"><\/div><\/div><div class=\"jp-title\"><\/div><\/div><\/div><\/div>\n<p><strong>Jo\u00e3o Almeida<\/strong> (1997) is a Portuguese trumpeter, improviser, and composer based in Lisbon, Portugal. In recent years, he has collaborated with some of the most prominent musicians on the national and international scene, such as Albert Cirera, Gabriel Ferrandini, Hern\u00e2ni Faustino, Pedro Alves Sousa, Marcelo dos Reis, Rodrigo Amado, Ernesto Rodrigues, Guilherme Rodrigues, Gon\u00e7alo Almeida, Ricardo Jacinto, Nuno Mor\u00e3o, Ang\u00e9lica Salvi, Susana Santos Silva, Yaw Tembe, Ricardo Martins, Norberto Lobo, Jo\u00e3o Lobo, Abdul Moim\u00eame, \u00c1lvaro Rosso, Rodrigo Pinheiro, Yedo Gibson, Pedro Melo Alves, Jo\u00e3o Valinho, Mariana Dion\u00edsio, Maria do Mar, Peter Evans, P\u00e9ter Ajtai, Mia Dyberg, Fred Lonberg-Holm, and Brandon Lopez. He is part of groups such as GARFO, PEACHFUZZ, Ch\u00e3o Maior, Lucif\u00e9cit, Medusa Unit, Rodrigo Amado Refraction Quartet, LUMP, and AL!. In May 2020, he released his debut album, &#8216;SOLO SESSIONS * ||||,&#8217; which focuses on the exploration of extended techniques and the use of objects to manipulate sound. Since then, he has had seven releases on his own label, JARECORDS, a platform he uses to showcase his work. He has performed at festivals and venues such as Teatro S.Luiz, Teatro do Bairro, Capit\u00f3lio, Sal\u00e3o Brasil, Hotclube de Portugal, Sala Porta-Jazz, Zaratan, Caf\u00e9 Dias, Sociedade Guilherme Cossoul, Galeria Z\u00e9 dos Bois, Centro Cultural de Bel\u00e9m, Funda\u00e7\u00e3o Calouste Gulbenkian, Culturgest Lisbon, Casa da M\u00fasica, Outfest 2019-2021, Guimar\u00e3es Jazz 2020, Festa do Avante, Festival de Jazz de Robalo, Quebra Jazz, Teatro ACUD, Madame Claude, LOOPHOLE, and has toured in Europe.<\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CONVERSATION<\/div><div class=\"wpb_toggle_content\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18026\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105.jpg\" alt=\"\" width=\"1602\" height=\"1006\" srcset=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105.jpg 1602w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105-300x188.jpg 300w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105-1024x643.jpg 1024w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105-768x482.jpg 768w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105-1536x965.jpg 1536w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105-1280x804.jpg 1280w, https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2023\/09\/105-600x377.jpg 600w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\" \/><\/p>\n<p>Conversation between Ricardo Jacinto, Teresa Santos and Eneida Lombe Tavares | 11.02.23<br \/>\n<div class=\"su-audio\" data-id=\"su_audio_player_69e16ba42743a\" data-audio=\"https:\/\/cloud.osso.pt\/index.php\/s\/yibFRiX9ja8mQ6f\/download\/%5Bconversa%5D%20Eneida%20Tavares%20RJacinto%20TSantos%20%5BEIRA%208%5D.mp3\" data-swf=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/shortcodes-ultimate\/vendor\/jplayer\/jplayer.swf\" data-autoplay=\"no\" data-loop=\"no\" style=\"\"><div id=\"su_audio_player_69e16ba42743a\" class=\"jp-jplayer\"><\/div><div id=\"su_audio_player_69e16ba42743a_container\" class=\"jp-audio\"><div class=\"jp-type-single\"><div class=\"jp-gui jp-interface\"><div class=\"jp-controls\"><span class=\"jp-play\"><\/span><span class=\"jp-pause\"><\/span><span class=\"jp-stop\"><\/span><span class=\"jp-mute\"><\/span><span class=\"jp-unmute\"><\/span><span class=\"jp-volume-max\"><\/span><\/div><div class=\"jp-progress\"><div class=\"jp-seek-bar\"><div class=\"jp-play-bar\"><\/div><\/div><\/div><div class=\"jp-volume-bar\"><div class=\"jp-volume-bar-value\"><\/div><\/div><div class=\"jp-current-time\"><\/div><div class=\"jp-duration\"><\/div><\/div><div class=\"jp-title\"><\/div><\/div><\/div><\/div>\n<p>Conversation between Ricardo Jacinto and Hugo Brito | 18.02.23<br \/>\n<div class=\"su-audio\" data-id=\"su_audio_player_69e16ba4274b7\" data-audio=\"https:\/\/cloud.osso.pt\/index.php\/s\/4kgtcTbXrPRQtsP\/download\/%5Bconversa%5D%20Hugo%20Brito%20RJacinto%20%5BEIRA%208%5D.mp3\" data-swf=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/shortcodes-ultimate\/vendor\/jplayer\/jplayer.swf\" data-autoplay=\"no\" data-loop=\"no\" style=\"\"><div id=\"su_audio_player_69e16ba4274b7\" class=\"jp-jplayer\"><\/div><div id=\"su_audio_player_69e16ba4274b7_container\" class=\"jp-audio\"><div class=\"jp-type-single\"><div class=\"jp-gui jp-interface\"><div class=\"jp-controls\"><span class=\"jp-play\"><\/span><span class=\"jp-pause\"><\/span><span class=\"jp-stop\"><\/span><span class=\"jp-mute\"><\/span><span class=\"jp-unmute\"><\/span><span class=\"jp-volume-max\"><\/span><\/div><div class=\"jp-progress\"><div class=\"jp-seek-bar\"><div class=\"jp-play-bar\"><\/div><\/div><\/div><div class=\"jp-volume-bar\"><div class=\"jp-volume-bar-value\"><\/div><\/div><div class=\"jp-current-time\"><\/div><div class=\"jp-duration\"><\/div><\/div><div class=\"jp-title\"><\/div><\/div><\/div><\/div>\n<hr>\n<p><strong>Eneida Lombe Tavares<\/strong> (Barreiro, PT) holds a degree in Product Design from ESAD.CR. She lives and works in Caldas da Rainha in her own studio. She has participated in various group exhibitions across Europe, Brazil, and Cape Verde. Through materials, traditional techniques, and other rituals, she seeks to explore connections between Portugal and her native countries, Angola and Cape Verde.<br \/>\nShe also collaborates with Jorge Carreira in the Mulato Studio and has worked with Portuguese brands.<\/p>\n<p><strong>Hugo Brito<\/strong> graduated as a chef in Amsterdam in 2003, following a path as a visual artist at Ar.Co and later at De Ateliers, Amsterdam.<br \/>\nUpon returning to Lisbon, after a few years of trying to reconcile two irreconcilable careers and working at various restaurants in the city, he opened Boi-Cavalo in 2014, of which he is the chef and co-owner. He worked on the concept of contemporary Lisbon cuisine, open to multiple influences, which has earned him wide recognition both nationally and internationally.<br \/>\n<\/div>\n<\/div><\/div>\n\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Access the radio projects developed by artists, researchers and collectives invited to this eighth edition of EIRA. Also listen to their conversations with members of OSSO.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12533,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18484","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=18484"}],"version-history":[{"count":6,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18484\/revisions"}],"predecessor-version":[{"id":19202,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/18484\/revisions\/19202"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/12533"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=18484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}