{"id":1705,"date":"2013-06-18T23:35:14","date_gmt":"2013-06-18T23:35:14","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=1705"},"modified":"2021-02-10T14:03:58","modified_gmt":"2021-02-10T14:03:58","slug":"parque","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/projects\/parque\/","title":{"rendered":"PARQUE"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 25px auto 50px auto;\">\n<div class=\"iframe\" style=\"height: auto; margin-top: 0px; margin-bottom: 25px;\">\n<h3>PARQUE \/\/ Earworm Versions<\/h3>\n<p style=\"text-align: justify;\">&#8220;PARQUE is a project of the intermedia artist Ricardo Jacinto, with the instrumental contributions of Nuno Torres, Nuno Mor\u00e3o, Jo\u00e3o Pinheiro, Dino R\u00e9cio and Andr\u00e9 Sier, and \u201cEarworm Versions\u201d the remaining tail of an exhibition and performance-installation presented at Culturgest, Lisbon, in 2008. With studies in architecture, sculpture and music, Jacinto became noticed because of the inclusion of sound in his visual and sculptural work and because he searches for an exploration of space when he acts as a cellist. At this level, he is a unique case in Portugal.<\/p>\n<p style=\"text-align: justify;\">The music contained in this album corresponds to the precepts of structured improvisation in an electro-acoustic environment, focusing mainly on the use of textures where noise clusters and harmonic constructions are closely interlaced, mostly achieved by the sonic character of three instrumental-installations built by Jacinto specifically for this project. Glass (mirror) sonorities in the first two pieces and a natural doppler effect, produced by a pendular speaker, set the base for the musical compositions and determine the importance of space in this music. This recordings can be heard as the soundscape of this territory entitled PARQUE where audience and performers inhabit mini-architectural devices used for performing sound and light, reflecting the interaction of sound and space \u2013 in this aspect benefiting also from an interactive software designed by Andr\u00e9 Sier.<\/p>\n<p style=\"text-align: justify;\">And because this music is, inevitably, part of a synesthesic complex, being its author a recognized manipulator of the factors of perception, live video-footage (edited by Nuno Ribeiro) of the three pieces here recorded is available at www.ricardojacinto.com, clarifying the image and spatial side of this project.&#8221;<\/p>\n<p>Edition by <a href=\"http:\/\/shhpuma.com\/next-releases-on-shhpuma-records\/\">Shhpuma Records<\/a><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/57595414?title=0&amp;byline=0&amp;portrait=0&amp;color=99bfc4&amp;autoplay=0\" width=\"500\" height=\"379\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><strong>Os<\/strong><br \/>\n: for percussion on 24 tuned suspended mirrors, recorded voice, alto saxophone, cello, cymbals and electronics.<\/p>\n<p style=\"text-align: justify;\">Nuno Torres: alto saxophone<br \/>\nRicardo Jacinto: cello and percussion<br \/>\nNuno Mor\u00e3o: percussion\/melodica<br \/>\nJo\u00e3o Pinheiro: percussion\/vibraphone<br \/>\nDino R\u00e9cio: percussion<br \/>\nAndr\u00e9 Sier: electronics<\/p>\n<p style=\"text-align: justify;\">Composition and instrumental devices concept by Ricardo Jacinto (www.ricardojacinto.com)<br \/>\nSound, light and video interactive software by Andr\u00e9 Sier (http:\/\/s373.net)<br \/>\nText (Excerpts from \u201cThe Left Hand\u201d, 2006) by Hugo Brito.<br \/>\nVoice recorded by Murray Todd<\/p>\n<p style=\"text-align: justify;\">Video by Nuno Ribeiro (https:\/\/vimeo.com\/lagartafugida)<br \/>\nSound Recording \/ mixing: Pedro Magalh\u00e3es<\/p>\n<p style=\"text-align: justify;\">_recorded live at Culturgest_Lisbon 2008<br \/>\n_music edited by http:\/\/shhpuma.com\/<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/57635094?title=0&amp;byline=0&amp;portrait=0&amp;color=99bfc4\" width=\"500\" height=\"379\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Pe\u00e7a de Embalar (double, long and surprise version)<br \/>\n: for percussion on two suspended mirrors, alto saxophone, cello and electronics.<\/p>\n<p style=\"text-align: justify;\">Nuno Torres: alto saxophone<br \/>\nRicardo Jacinto: cello<br \/>\nNuno Mor\u00e3o: percussion<br \/>\nDino R\u00e9cio: percussion<br \/>\nAndr\u00e9 Sier: electronics<\/p>\n<p style=\"text-align: justify;\">Composition and instrumental device concept by Ricardo Jacinto (www.ricardojacinto.com)<br \/>\nSound, light and video interactive software development by Andr\u00e9 Sier (http:\/\/s373.net)<\/p>\n<p style=\"text-align: justify;\">video by Nuno Ribeiro (https:\/\/vimeo.com\/lagartafugida)<br \/>\nsound Recording \/ mixing: Pedro Magalh\u00e3es<\/p>\n<p style=\"text-align: justify;\">_recorded live at Culturgest_Lisbon 2008<br \/>\n_music edited by http:\/\/shhpuma.com\/<\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/57652539?title=0&amp;byline=0&amp;portrait=0&amp;color=99bfc4\" width=\"500\" height=\"362\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Atraso<br \/>\n: for pendular speaker, alto saxophone, cello, vibraphone, melodica, percussion and amplified objects.<\/p>\n<p style=\"text-align: justify;\">performed by:<br \/>\nNuno Torres: alto saxophone<br \/>\nRicardo Jacinto: cello and percussion<br \/>\nNuno Mor\u00e3o: percussion\/melodica<br \/>\nJo\u00e3o Pinheiro: percussion\/vibraphone<br \/>\nPendular speaker operated by Hugo Brito and Pedro Magalh\u00e3es.<\/p>\n<p style=\"text-align: justify;\">Composition and instrumental device concept by Ricardo Jacinto (www.ricardojacinto.com)<br \/>\nVideo by Nuno RIbeiro (https:\/\/vimeo.com\/lagartafugida)<br \/>\nsound recording \/ mixing: Pedro Magalh\u00e3es<\/p>\n<p style=\"text-align: justify;\">_recorded live at Culturgest_Lisbon 2008<br \/>\n_music edited by http:\/\/shhpuma.com\/<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>PARQUE \/\/ Earworm Versions &#8220;PARQUE is a project of the intermedia artist Ricardo Jacinto, with the instrumental contributions of Nuno Torres, Nuno Mor\u00e3o, Jo\u00e3o Pinheiro, Dino R\u00e9cio and Andr\u00e9 Sier, and \u201cEarworm Versions\u201d the remaining tail of an exhibition and performance-installation presented at Culturgest, Lisbon, in 2008. With studies in architecture, sculpture and music, Jacinto became noticed because of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1617,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1705","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/1705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=1705"}],"version-history":[{"count":11,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/1705\/revisions"}],"predecessor-version":[{"id":14312,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/1705\/revisions\/14312"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/1617"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=1705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}