{"id":14880,"date":"2021-04-06T16:46:30","date_gmt":"2021-04-06T16:46:30","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=14880"},"modified":"2021-04-06T17:11:59","modified_gmt":"2021-04-06T17:11:59","slug":"expansive-territories","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/research-2\/expansive-territories\/","title":{"rendered":"EXPANSIVE TERRITORIES"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 0px auto 0px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69e06bfd069b7\" class=\"master-slider-parent msl ms-parent-id-79\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69e06bfd069b7\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"2\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2021\/02\/territorios_geral1.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_69b7 = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_69b7.control('arrows'     ,{ autohide:true, overVideo:true  });\t\t\t\tmasterslider_69b7.control('bullets'    ,{ autohide:false, overVideo:true, dir:'h', align:'bottom' , margin:20  });\n\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_69b7.setup(\"MS69e06bfd069b7\", {\n\t\t\t\t\t\twidth           : 770,\n\t\t\t\t\t\theight          : 513,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : false,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : true,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : true,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_69b7 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p><strong>Expansive Territories<\/strong><br \/>\nThe concept of Territory is multifaceted and ambiguous. It relates to notions such as space and place, identity and community, dominion and control. It may refer to areas of land, but also areas of knowledge, activity or experience.<\/p>\n<p>A Territory is never clear or neutral. It operates as ground, foundation, a space to act and dwell, but also as a specific domain or locale, in which human and physical patterns overlap, singular perspectives are shaped, and unique communities emerge, inhabit or conflict. Territories are social constructs, products of agency that encompass physical, virtual, social, political, experiential and affective spaces. These inform identities, generate values, produce meanings and ways of living.<\/p>\n<p>A Territory is never static or fixed. It intersects with other territories, and feeds from the transgression of its borders or limits, its geographical, political and ecological interferences. The margins, as territories themselves, are the site of particular situations where differences come into contact, dialogue and exchange. They are in permanent transformation, expansion and contraction, generating new territorial dimensions of convergence, conversion, or conflict.<\/p>\n<p>We propose the idea of Expansive Territories to comprehend expansion as a process of perpetual motion \u2013 physical, social, political and conceptual. Through exploratory and erratic movements, different territories overlap, merge, interact, are reconfigured, and reimagined. Deriving from Krauss\u2019 \u201cexpanded field\u201d \u2013 a notion that has itself expanded throughout most artistic disciplines \u2013 Expansive Territories is an idea that seeks to gain ground towards a sustained, active regenerative artistic process as a way of resisting any formalization that interrupts its transformations.<\/p>\n<p>Under the theme of Expansive Territories, we promote and develop practice-based research projects that engage with its physical or natural dimensions, its cultural and metaphorical potentialities. This aims at expanding the field of action of each project, while experimenting with fluid articulations across different disciplines.<\/p>\n<hr>\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">RESEARCH RESIDENCIES 2020<\/div><div class=\"wpb_toggle_content\">\n<p>OSSO Research Residencies are a vital part of OSSO\u2019s project, a wider programme which involves a range of artistic activities in conjunction with local, national and international partners. Through the research residencies, we aim to provide a space that encourages researchers from across all artistic practices to reflect and develop work related to the proposed theme. <\/p>\n<p><strong>Juri Open Call 2020:<\/strong><br \/>\n&#8211; Raquel Castro (CICANT \u2013 Centre for Research in Applied Communication, Culture and New Technologies, Universidade Lus\u00f3fona \/ Lisboa Soa \/ Invisible Places)<br \/>\n&#8211; Pedro Rebelo (SARC \u2013 Sonic Arts Research Centre, Queen\u2019s University Belfast)<br \/>\n&#8211; OSSO Colectivo: Diogo Alvim (CESEM \u2013 Centro de Estudos de Sociologia Est\u00e9tica Musical), and Matilde Meireles (SARC \u2013 Sonic Arts Research Centre, Queen\u2019s University Belfast)<\/p>\n<p><strong>Artists researchers in residence:<\/strong><br \/>\n<a href=\"https:\/\/arquivo.osso.pt\/programacao-3\/eira\/eira-3\/\"><u>Beatriz Cantinho e T\u00falio Rosa<\/u><\/a><br \/>\n<u><a href=\"https:\/\/arquivo.osso.pt\/programacao-3\/eira\/eira-3\/\">Claudio de Pina<\/a><\/u><br \/>\n<u><a href=\"https:\/\/arquivo.osso.pt\/programacao-3\/eira\/eira-3\/\">Teresa Luzio<\/a><\/u><br \/>\n<u><a href=\"https:\/\/arquivo.osso.pt\/programacao-3\/eira\/eira-3\/\">Victoria Lucas<\/a><\/u><br \/>\n<u><a href=\"https:\/\/arquivo.osso.pt\/programacao-3\/eira\/eira-3\/\">Viviana Gonz\u00e1lez M\u00e9ndez<\/a><\/u><\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">CAMPO PR\u00d3XIMO (NEAR FIELD)<\/div><div class=\"wpb_toggle_content\">\n<p>Project by Matilde Meireles and Diogo Alvim &#8211; <u><a href=\"https:\/\/arquivo.osso.pt\/projectos\/campo-proximo\/\">mais informa\u00e7\u00e3o<\/a><\/u>.<\/p>\n<p><strong>Presentations | Concert:<\/strong><br \/>\n\u2013 Festival Lisboa Soa | Pante\u00e3o Nacional, Lisboa (Portugal), 26.06.2020<br \/>\n(Colabora\u00e7\u00e3o com o projecto de investiga\u00e7\u00e3o \u201cSounds Of Tourism\u201d \u2013 NOVA FCSH \u2013 INET-md)<br \/>\n\u2013 Projecto Osso Colectivo \u2018Invasor Abstracto #1\u2019 | Convento S\u00e3o Francisco, Coimbra (Portugal), 24.1.2020<br \/>\n\u2013 Dia Aberto Osso #3 | Est\u00fadios Osso | 25.01.2020<br \/>\n\u2013 Old School #38 | Escola das Gaivotas, Lisboa (Portugal), 17.10.2015<\/p>\n<p><strong>Presentations | Installation:<\/strong><br \/>\n\u2013 Projecto Osso Colectivo \u2018Invasor Abstracto #1\u2019 | Convento S\u00e3o Francisco, Coimbra (Portugal), 30.11.2019\/22.03.2020<\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">MEDUSA<\/div><div class=\"wpb_toggle_content\">\n<p>Project by Ricardo Jacinto &#8211; <u><a href=\"https:\/\/arquivo.osso.pt\/projectos\/medusa\/\">mais informa\u00e7\u00e3o<\/a><\/u>.<\/p>\n<p><strong>Presentations | Concerts &#8211; Installation:<\/strong><br \/>\n&#8211; &#8216;MEDUSA&#8217;, Museu como performance 2017 | Museu de Serralves, Porto (Portugal), 09.09.2017<br \/>\n&#8211; &#8216;Reflexo&#8217;, Public Art Circuit, Festival Walk and Talk | Coreto no Campo de S\u00e3o Francisco, S\u00e3o Miguel (Arquip\u00e9lago dos A\u00e7ores, Portugal), 14.07.17\/29.07.2017<br \/>\n&#8211; &#8216;La Halle&#8217;, Performance day 2017 | Ferme du Buisson, Paris (Fran\u00e7a), 03.06.2017<br \/>\n&#8211; &#8216;Segmentos&#8217;, Francisco Fino Art Projects | Galeria Vera Appleton, Lisboa (Portugal), 13.11.2014\/06.12.2014<br \/>\n&#8211; &#8216;Explodido&#8217;, Da F\u00e1brica que Desvanece \u00e0 Beira Tejo | Parque Industrial da Antiga CUF, Barreiro (Portugal) 13.09.14\/11.10.14<br \/>\n&#8211; &#8216;Casca&#8217;, Laborat\u00f3rio de Curadoria | Col\u00e9gio das Artes de Coimbra, Coimbra (Portugal), 27.06.14\/26.09.14 <\/p>\n<p><strong>Presentations | Solo &#8211; Concerts:<\/strong><br \/>\n&#8211; Exposi\u00e7\u00e3o Viagem ao Invis\u00edvel | Teatro Thalia, Lisboa (Portugal), 31.08.2017<br \/>\n&#8211; Trienal de Arquitectura, Lisboa (Portugal) 16.09.2017<br \/>\n&#8211; Museu Vostell, Malpartida, C\u00e1ceres (Espanha) 15.09.2016<br \/>\n&#8211; Convento S\u00e3o Francisco, Coimbra (Portugal), 24.09.2016<br \/>\n&#8211; Sonoscopia, Porto (Portugal), 29.01.2016<br \/>\n&#8211; CAAA &#8211; Centro para os Assuntos da Arte e Arquitectura, Guimar\u00e3es (Portugal), 30.01.2016<br \/>\n&#8211; Festival Cidade preocupada | Oficinas do Convento, Montemor-o-Novo (Portugal), 16.07.2016<br \/>\n&#8211; Anozero Bienal de Arte Contempor\u00e2nea de Coimbra | Sal\u00e3o Brazil, Coimbra (Portugal), 13.11.2015<br \/>\n&#8211; Open House Belfast Festival | Fanun House, Belfast (Irlanda), 18.07.2015<br \/>\n&#8211; The Guesthouse, Cork (Irlanda), 21.07.2015<\/p>\n<p><strong>Presentations | Conferences:<\/strong><br \/>\n&#8211; &#8216;A Arquitectura dos Artistas&#8217; &#8211; Confer\u00eancia e exposi\u00e7\u00e3o | Museu J\u00falio Pomar, Lisboa (Portugal) 18.09.2017<br \/>\n&#8211; &#8216;333 partes e 37 segundos &#8211; Confer\u00eancia: \u201cExtreme Music Hearing and Nothingness\u201d | Universidade da Dinamarca do sul (SDU), Odense (Dinamarca), 01.12.2016<\/p>\n<\/div>\n<\/div><\/div>\n\n<div class=\"row\"><div class=\"toggle-wrap 0\/1\"><div class=\"wpb_toggle\">SPECTRUM<\/div><div class=\"wpb_toggle_content\">\n<p>Project by Nuno Torres &#8211; <u><a href=\"https:\/\/arquivo.osso.pt\/projectos\/spectrum\/\">mais informa\u00e7\u00e3o<\/a><\/u>.<\/p>\n<p><strong>Presentations:<\/strong><br \/>\n&#8211; LAMBDA: Mostra de Ondas Sonoras e Visuais | C\u00e9u de Vidro \u2013 Parque D Carlos I, Caldas da Rainha (Portugal) 15.12.20\/18.12.20<br \/>\n&#8211; Projecto OSSO Colectivo &#8216;Invasor Abstracto #2\u2019 | Galeria municipal de Montemor-o-Novo, Montemor o Novo (Portugal), 30.10.20\/13.11.20<\/p>\n<\/div>\n<\/div><\/div>\n\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Expansive Territories The concept of Territory is multifaceted and ambiguous. It relates to notions such as space and place, identity and community, dominion and control. It may refer to areas of land, but also areas of knowledge, activity or experience. A Territory is never clear or neutral. It operates as ground, foundation, a space to act and dwell, but also [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8759,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14880","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/14880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=14880"}],"version-history":[{"count":8,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/14880\/revisions"}],"predecessor-version":[{"id":14888,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/14880\/revisions\/14888"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/8759"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=14880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}