{"id":10543,"date":"2020-02-28T11:43:33","date_gmt":"2020-02-28T11:43:33","guid":{"rendered":"https:\/\/arquivo.osso.pt\/?page_id=10543"},"modified":"2023-09-19T09:31:32","modified_gmt":"2023-09-19T09:31:32","slug":"dia-aberto-03","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/programacao-3\/openday\/dia-aberto-03\/","title":{"rendered":"OPEN DAY #03"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin: 25px auto 50px auto;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<p><a href=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2020\/02\/da3_capa.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9203\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2020\/02\/da3_capa.jpg\" alt=\"da3_capa.jpg\" width=\"960\" height=\"377\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Open Day #03:<\/strong><\/p>\n<div class=\"flex flex-grow flex-col gap-3 max-w-full\">\n<div class=\"min-h-[20px] flex flex-col items-start gap-3 overflow-x-auto whitespace-pre-wrap break-words\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p>For the 3rd Open Day, we will have two concerts and a dinner from our neighbor in A-dos-Francos, Chef Jos\u00e9 Roseira. In the first concert, a group that combines free improvisation with real-time text writing. The TextuAlive trio, featuring Margarida Azevedo (text), Hern\u00e2ni Faustino (double bass), and Miguel Mira (cello), will present the work developed during their residency at OSSO at 5:30 PM. After dinner, we will have a concert by Diogo Alvim and Matilde Meireles. Following their performance the previous night at the Convento de S\u00e3o Francisco in Coimbra, they will explore the sound materials from the &#8220;Campo Pr\u00f3ximo&#8221; sound installation. This installation uses field recordings from selected locations between S\u00e3o Greg\u00f3rio and Convento S\u00e3o Francisco, where it was first presented.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Supporters:<\/strong> Centro de Apoio Social da Freguesia de S\u00e3o Greg\u00f3rio e Direc\u00e7\u00e3o Geral das Artes.<br \/>\n<strong>Location:<\/strong> Est\u00fadios Osso<br \/>\n<strong>Date:<\/strong> 25.01.20<\/p>\n<p>&nbsp;<\/p>\n<div align=\"center\">\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS69e0408d92239\" class=\"master-slider-parent msl ms-parent-id-54\" style=\"max-width:770px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS69e0408d92239\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"2\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/arquivo.osso.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" 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\"fade\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_2239 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n<\/div>\n<p><strong>Fotography:<\/strong> Sara Morais<\/p>\n<p><strong>PROGRAM<\/strong><\/p>\n<p><strong>17h \u25b8 OPEN DOORS \/\/ visitation <\/strong><\/p>\n<p><strong>17h30 \u25b8 MARGARIDA AZEVEDO + HERN\u00c2NI FAUSTINO + MIGUEL MIRA \/\/ concert <\/strong><\/p>\n<div class=\"flex flex-grow flex-col gap-3 max-w-full\">\n<div class=\"min-h-[20px] flex flex-col items-start gap-3 overflow-x-auto whitespace-pre-wrap break-words\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p>TextuAlive was born from the desire to translate the &#8220;Quem escreve um solo acrescenta-lhe um conto&#8221; column from the (Diz)Son\u00e2ncias project into a live performance. It was a long-awaited pregnancy, a lengthy but painless delivery. There was no request for an epidural, and every moment was carefully timed with deep breaths and the essential strength required for the birth of any project.<\/p>\n<p>The trio consists of Hern\u00e2ni Faustino (who skillfully gives life to the double bass), Miguel Mira (who brings the cello and leaves countless stories in the resonance of the strings), and Margarida Azevedo (who plays keyboards projecting words onto a canvas). The challenge was initiated by her. The desire to make (Diz)Son\u00e2ncias a true synergy between sounds and words drove her to dive headfirst into a bottomless well of possibilities and collaborative efforts.<\/p>\n<p>The first story was born directly from one of Hern\u00e2ni&#8217;s solos, and it was at that moment that she realized that writing within a trio during improvisation was the next step. It&#8217;s a pure improvisational work where the audience will journey between sounds and words, improvising in the moment, weaving sounds, words, directions, and stories.<\/p>\n<p>If there&#8217;s a moment when our hearts will be in the hands of all three of us, it will be the exact moment of sharing with the audience. The result? It promises originality, creativity, and, above all, a journey that won&#8217;t begin with &#8220;Once upon a time&#8230;&#8221;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>+ info:<\/strong> <a href=\"https:\/\/www.facebook.com\/TextuAlive\" target=\"_blank\" rel=\"noopener\"><u>TextuAlive<\/u><\/a><\/p>\n<p><strong>18h \u25b8 MATILDE MEIRELES \/\/ The Green Drones <\/strong><\/p>\n<div class=\"flex flex-grow flex-col gap-3 max-w-full\">\n<div class=\"min-h-[20px] flex flex-col items-start gap-3 overflow-x-auto whitespace-pre-wrap break-words\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p>Living in Belfast (Northern Ireland), sound artist Matilde Meireles brings us a concert where the city of Belfast is revisited through a dialogue between field recordings and the &#8220;drones&#8221; of telecommunication boxes. &#8220;The Green Drones&#8221; offers the audience a new way to engage with the sound textures, tones, rhythms, and dynamics of the city.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/matildemeireles.com\" target=\"_blank\" rel=\"noopener\">https:\/\/matildemeireles.com<\/a><\/p>\n<p><strong>19h \u25b8 JOS\u00c9 ROSEIRA \/\/ dinner <\/strong><\/p>\n<p><strong>21h \u25b8 DIOGO ALVIM + MATILDE MEIRELES \/\/ concert <\/strong><\/p>\n<div class=\"flex flex-grow flex-col gap-3 max-w-full\">\n<div class=\"min-h-[20px] flex flex-col items-start gap-3 overflow-x-auto whitespace-pre-wrap break-words\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p>&#8220;Campo Pr\u00f3ximo&#8221; is a sound installation that works on the perception and construction of places, connecting remote locations with the space in which it is presented. In this installation, field recordings from selected places between S\u00e3o Greg\u00f3rio, in the municipality of Caldas da Rainha (where the headquarters of the OSSO collective is located), and Convento S\u00e3o Francisco are used, drawing a line that crosses the territory. Each recording is presented for a period of time proportional to the distance between the original place and the listening location. This duration corresponds to the time it would take for sound to travel that distance in a straight line, like the flight of a bee or a crow. Diogo and Matilde will present a musical intervention in which they will explore the sound materials from this research in concert format.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>+ info: <\/strong><br \/>\n<a href=\"www.diogoalvim.com\/\" target=\"_blank\" rel=\"noopener\"><u>www.diogoalvim.com\/<\/u><\/a><br \/>\n<a href=\"matildemeireles.com\/\" target=\"_blank\" rel=\"noopener\"><u>matildemeireles.com\/<\/u><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Open Day #03: For the 3rd Open Day, we will have two concerts and a dinner from our neighbor in A-dos-Francos, Chef Jos\u00e9 Roseira. In the first concert, a group that combines free improvisation with real-time text writing. The TextuAlive trio, featuring Margarida Azevedo (text), Hern\u00e2ni Faustino (double bass), and Miguel Mira (cello), will present the work developed during [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":10614,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-10543","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=10543"}],"version-history":[{"count":11,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10543\/revisions"}],"predecessor-version":[{"id":18177,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10543\/revisions\/18177"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10614"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=10543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}