{"id":10303,"date":"2018-05-14T12:45:12","date_gmt":"2018-05-14T12:45:12","guid":{"rendered":"https:\/\/arquivo.osso.pt\/derivas-2\/explode_cell\/appendix\/"},"modified":"2018-05-14T12:45:12","modified_gmt":"2018-05-14T12:45:12","slug":"appendix","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/derivas-2\/explode_cell\/appendix\/","title":{"rendered":"APPENDIX"},"content":{"rendered":"

APPENDIX TO THE EXPLODED CELLO PORTFOLIO<\/strong><\/p>\n

Documentation (AUDIO \/ VIDEO \/ PHOTOGRAPHS \/ TEXT) on paralell solo concerts, music ensembles and installation or collaborative interdisciplinary projects, that happened during the research period and which supported with experimentation and testing this research.
\nHere is a list and the links to documentation<\/strong> on these works and presentations:<\/p>\n

\n

SOLO CONCERTS<\/strong><\/center>The described techniques and vocabulary (Chapter III) were also developed in solo concerts<\/strong> where the exploded device setup was limited to the stereo PA configuration. A collection of recordings of some of these concerts can be listened here:<\/p>\n

SONOSCOPIA<\/strong><\/a> \/\/ JAN 2016 \/ PORTO
\nCAAA<\/strong><\/a> \/\/ JAN 2016 \/ GUIMAR\u00c3ES
\nSAL\u00c3O BRAZIL<\/strong><\/a> \u2013 Anozero_Bienal de Arte Contempor\u00e2nea de Coimbra \/\/ Nov 2015 \/ COIMBRA
\nFANUM HOUSE<\/strong><\/a> – Open House Belfast Festival \/\/ 18th July 2015 \/ BELFAST
\nTHE GUESTHOUSE<\/strong><\/a> \/\/ 21st July 2015 \/ CORK
\nOFICINAS DO CONVENTO<\/strong><\/a> \/\/ _MONTEMOR-O-NOVO
\nCONVENTO DE S\u00c3O FRANCISCO<\/strong><\/a> \/\/ COIMBRA 2016
\nMUSEO VOSTELL<\/strong> \/\/ MALPARTIDA_C\u00c1CERES 2016
\nTEATRO THALIA<\/strong> – Exhibition Viagem ao Invis\u00edvel \/\/ LISBOA 2017<\/p>\n

\n

ENSEMBLES<\/strong><\/center>As part of the ensemble projects where the MEDUSA system was used\/played here we can find documentation on collaborations which were relevant to the experimentation of the system and its developing vocabulary:<\/p>\n

David Tudor\u00b4s RAINFOREST<\/strong> \/ PORTO 2014 (ENSEMBLE)
\nGARDEN<\/strong> (w\/ Bruno Parrinha and Luis Lopes) \/\/ CLEAN FEED 2015 (ENSEMBLE)
\nPHONOPTICON<\/strong> \/ (w\/ Gustavo Costa, Henrique Fernandes and Jos\u00e9 Alberto Gomes) \/\/ European Tour \/ 2016
\nLOVE THAT LAVA<\/strong><\/a> (w\/ Min Kimovic & Nuno Mor\u00e3o) \/\/ LISBON and BELFAST 2016
\nHARMONIES<\/strong><\/a> (w\/ Joana Gama and Luis Fernandes) \/\/ SHHPUMA 2016
\nTHE SELVA<\/strong><\/a> (w\/ Gon\u00e7alo Almeida and Nuno Mor\u00e3o) \/\/ Live at STUBNITZ \/ HAMBURG 2017
\nJOANA GAMA + RICARDO JACINTO<\/strong><\/a> \/\/ LISBON 2017
\nDA NOVA ARTE DE FAZER RU\u00cdNAS<\/strong> \/ LISBOA \/ S\u00c2O MIGUEL \/ (ENSEMBLE)
\nCIDADE MUSEU<\/strong><\/a> (w\/ Pedro Rebelo & Fraziska Schroeder) \/\/ FESTIVAL JARDINS \u00c9FEMEROS 2016<\/p>\n

\n

INSTALLATIONS<\/strong><\/center>Throughout the research period, several invitations for installation projects were also used as pratcice contexts to explore some of MEDUSA\u00b4S strategies and conceptual orientations.<\/p>\n

333 PARTS & 37 SECONDS<\/strong> \/\/ ARQUIP\u00c9LAGO CENTRO ARTES CONTEMPORANEAS \/ RIBEIRA GRANDE_S\u00c3O MIGUEL 2017
\nNOWHERE<\/strong><\/a> (MARINO FORMENTI with RICARDO JACINTO) \/\/ FUNDA\u00c7\u00c3O CALOUSTE GULBENKIAN \/ LISBOA 2017
\n333 PARTS & 37 SECONDS<\/strong><\/a> \/\/ VERA CORT\u00caS GALLERY \/ LISBOA 2016
\nMESAS<\/strong><\/a> (w\/ Pedro Rebelo) \/\/ FESTIVAL JARDINS EF\u00c9MEROS \/ VISEU 2015
\nMONTRA<\/strong><\/a> \/\/ ARTE ILIMITADA \/ LISBOA 2014<\/p>\n

\n

PARTICIPATION IN AUDIO OR AUDIOVISUAL PROJECTS<\/strong><\/center>WE, THE ORPHEU LOT<\/strong> (w\/ Ant\u00f3nio Poppe) \/\/ POETRY\/MUSIC CD BY BOCA EDITIONS \/ LISBOA 2015
\nTHREE BODY PROBLEM<\/strong><\/a> \/\/ MUSIC CD BY @C<\/strong> \/\/ CR\u00d3NICA LABEL \/\/ PORTO 2016
\nTERRAMOTOURISM<\/strong><\/a> by Left Hand Rotation \/\/ SOUNDTRACK \/\/ LISBOA 2016<\/p>\n
\n","protected":false},"excerpt":{"rendered":"

APPENDIX TO THE EXPLODED CELLO PORTFOLIO Documentation (AUDIO \/ VIDEO \/ PHOTOGRAPHS \/ TEXT) on paralell solo concerts, music ensembles and installation or collaborative interdisciplinary projects, that happened during the research period and which supported with experimentation and testing this research. Here is a list and the links to documentation on these works and presentations: SOLO CONCERTSThe described techniques and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":10121,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-10303","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=10303"}],"version-history":[{"count":0,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10303\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10121"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=10303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}