{"id":10301,"date":"2018-04-05T17:57:16","date_gmt":"2018-04-05T17:57:16","guid":{"rendered":"https:\/\/arquivo.osso.pt\/derivas-2\/explode_cell\/chapter-iii-sonic-vocabulary\/"},"modified":"2018-04-05T17:57:16","modified_gmt":"2018-04-05T17:57:16","slug":"chapter-iii-sonic-vocabulary","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/derivas-2\/explode_cell\/chapter-iii-sonic-vocabulary\/","title":{"rendered":"CHAPTER III"},"content":{"rendered":"<div class=\"iframe\" style=\"height: auto; margin-top: 0px; margin-bottom: 25px;\">\n<p><strong>SONIC VOCABULARY<\/strong><\/p>\n<p>This chapter will be dedicated to present a summary of the exploded cello sonic vocabulary resulting from the current version of the electroacoustic device (as described in chapter II). The electroacoustic device includes three levels of components: Inputs (cello microphones), Interface (software and midi controller) and Outputs (speakers), in an interdependent relation. In this chapter I will demonstrate four different audio processes of fragmentation and dispersion that are in the basis of the exploded cello vocabulary, each corresponding to a specific setup configuration corresponding to the presented process:<\/p>\n<hr \/>\n<p><strong>FRAGMENTATION<\/strong><br \/>\n&#8211; Internal audio feedback<br \/>\n&#8211; Delay and panning variation<\/p>\n<p><strong>DISPERSION<\/strong><br \/>\n&#8211; Direct resonance in external objects<br \/>\n&#8211; Automated feedback network and granulation<\/p>\n<hr \/>\n<p>Each process includes videos demonstrating the most relevant cello techniques and short audio improvisations (studies) where the these techniques are developed and articulated. Each demonstration includes three sections: a general description of the technique, its scope, and a commentary.<\/p>\n<p>The videos should be heard through headphones in order to fully experience the spatialization. Click on each of the images below for further information.<\/p>\n<hr \/>\n<div class=\"row\">\n\t<div class=\"wpb_portfolio_widget wpb_content_element span8\">\n\t\t<div class=\"wpb_wrapper portfolio-wrap\">\n\t\t\t\t<ul class=\"portfolio-items standard-portfolio filterable-items row clearfix\">\n<\/ul>\n\n\t\t<\/div> \n\t<\/div> <\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SONIC VOCABULARY This chapter will be dedicated to present a summary of the exploded cello sonic vocabulary resulting from the current version of the electroacoustic device (as described in chapter II). The electroacoustic device includes three levels of components: Inputs (cello microphones), Interface (software and midi controller) and Outputs (speakers), in an interdependent relation. In this chapter I will demonstrate [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":10121,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10301","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=10301"}],"version-history":[{"count":0,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10301\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10121"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=10301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}