{"id":10121,"date":"2017-12-16T15:40:46","date_gmt":"2017-12-16T15:40:46","guid":{"rendered":"https:\/\/arquivo.osso.pt\/derivas-2\/explode_cell\/"},"modified":"2020-02-06T11:39:23","modified_gmt":"2020-02-06T11:39:23","slug":"explode_cell","status":"publish","type":"page","link":"https:\/\/arquivo.osso.pt\/en\/derivas-2\/explode_cell\/","title":{"rendered":"EXPLODED CELLO"},"content":{"rendered":"<div class=\"iframe\" style=\"max-width: 770px; height: auto; margin-left: auto; margin-right: auto; margin-top: 25px; margin-bottom: 50px;\">\n<div dir=\"ltr\" style=\"text-align: justify;\">\n<p><strong>Exploded Cello: Fragmentation and Dispersion as strategies for a site-specific improvisational practice<\/strong><br \/>\nRicardo Jacinto, 2018<br \/>\nPractice-based PhD Thesis in Sonic Arts<br \/>\nSonic Arts Research Centre<br \/>\nQueen\u2019s University Belfast<br \/>\nLink <span style=\"text-decoration: underline;\"><a href=\"https:\/\/arquivo.osso.pt\/wp-content\/uploads\/2020\/02\/RJacinto_thesis.pdf\" target=\"_blank\">Written Commentary<\/a><\/span><\/p>\n<p><strong>Abstract:<\/strong><br \/>\nMusic is a temporal practice whose roots may be imminently spatial. This thesis will enunciate the conceptual model and the practical manifestations of a research project in the context of solo music improvisation based on a particular relation between free improvisation and site-specific artistic practices. My activities as a cellist, sound artist with an academic background in architecture are articulated here to think through solo improvisations as a hybrid relation of concert-installation to a specific time and space.<\/p>\n<p>This research focuses on a portfolio of concert-installation site-specific work leading to the development of a system comprised of a conceptual framework, an electroacoustic device, a dedicated sonic vocabulary and spatial and temporal strategies.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Exploded Cello: Fragmentation and Dispersion as strategies for a site-specific improvisational practice Ricardo Jacinto, 2018 Practice-based PhD Thesis in Sonic Arts Sonic Arts Research Centre Queen\u2019s University Belfast Link Written Commentary Abstract: Music is a temporal practice whose roots may be imminently spatial. This thesis will enunciate the conceptual model and the practical manifestations of a research project in the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3229,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/comments?post=10121"}],"version-history":[{"count":18,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10121\/revisions"}],"predecessor-version":[{"id":10122,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/10121\/revisions\/10122"}],"up":[{"embeddable":true,"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/pages\/3229"}],"wp:attachment":[{"href":"https:\/\/arquivo.osso.pt\/en\/wp-json\/wp\/v2\/media?parent=10121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}